A Quote by Gaspar Noe
Movies dealing with social subjects in France become very paternalist. They want to teach lessons. They don't show poorness like a normal situation.
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I think British people for example can handle better their own poorness. The image of their poorness. But in France, people don't handle it very well. Either you are normal or ... if you are poor you better not show it.
The Finnish way of dealing with Russia, whatever the situation, is that we will be very decisive to show what we don't like, where the red line is.
You can take lessons to become almost anything: flying lessons, piano lessons, skydiving lessons, acting lessons, race car driving lessons, singing lessons. But there's no class for comedy. You have to be born with it. God has to give you this gift.
What I think I'm perceived as in France is, like, I'm this leading man always doing strange movies because most of the movies I did, like 'Irreversible' or 'Brotherhood of the Wolf' and a bunch of others, and even in France, they always come out as a particular movie, not like the typical French kind of movies that people know most of the time.
Whether you like it or not, France's history is unique in Europe. Not to put too fine a point on it, France is a country of regicidal monarchists. It is a paradox: The French want to elect a king, but they would like to be able to overthrow him whenever they want. The office of president is not a normal office - that is something one should understand when one occupies it. You have to be prepared to be disparaged, insulted and mocked - that is in the French nature.
Reagan has very significant things to teach us - positive lessons and quite negative lessons.
When you succeed, at a certain point, you want to challenge yourself. Otherwise, you become boring. You become a has-been. It's not very interesting. I don't want to be this guy who has only succeeded in France.
I want people to have learned from me. When you watch movies that we grew up on, they teach you life lessons about friendship, brotherhood, integrity, but it's still funny and something you can watch as a family. I want to bring that back to our culture in general.
When you succeed, at a certain point, you want to challenge yourself. Otherwise, you become boring. You become a has-been. It's not very interesting. I don't want to be this guy who has only succeeded in France. I could say, 'O.K., that's it; merci.' But I'm not interested in that.
I film normal-life subjects in natural settings that some people would consider uncinematic. But what I want to show is nature itself, as the truth of life.
People treat serious subjects so seriously, which is so obvious a way of dealing with them. I'm always thinking that the best way of dealing with them is to show people as human beings.
'Deadpool' is its own thing, and it's very quirky, breaks out the box, and doesn't follow the rules of normal superhero movies, so it was really important for me to show that kids that look like me, who are chubbier than other kids, that they can be the hero they want - it was a dream of mine to be a superhero, and it's come true.
There comes a point in your moviegoing life where you look at the screen and then you look at the world and you ask, 'What is going on?' You want the movies to show you the chaos and mess and risk and failure that are normal for a lot of us. Generally, the movies hide all of that.
Those we most often exclude from the normal life of society, people with disabilities, have profound lessons to teach us
I can be very social, but often, it weighs down on me later that the social thing was a put-on. I feel like my way of dealing with not wanting to go out is, I just don't. I can't bring myself to.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
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