A Quote by Gaspar Noe

I would have a problem directing a scene like most directors do, in that TV style. I would get bored, I don't enjoy editing in the classic way. — © Gaspar Noe
I would have a problem directing a scene like most directors do, in that TV style. I would get bored, I don't enjoy editing in the classic way.
I would love to direct but I feel like directing is a whole separate craft and so I tend to respect it as a separate craft that I would need to study first. So, right now I'm still trying to do certain things as an actor and until I get bored of that or I feel completely fed by that then I'll move into directing.
I would like to get out to the region in the Caspian sea. I would like to go there. I would like to get to Darfur. I would like to get to Khartoum in Northern Sudan. I would like to get to Zimbabwe. I would like to go back to North Korea, if I could. I would like to go to Yemen. I would like to get to Kashmir. Most of those destinations I will get to.
I was a wrestling fan long enough, and once in a while, I would get bored. I'd be on board with a superstar and love what he'd do. Then eventually, I would get bored with him. I don't want people to think that way of me, so I'm doing everything I can to make sure it doesn't happen.
I enjoy editing when I'm directing, but when someone else is directing, that's their film to cut.
I'd get bored if I... if I had to do a movie, and there was no love story in it, I would just be bored. I mean, I would do it, but it would be kind of boring.
Would you like to watch TV or get between the sheets and contemplate this violent freeway, would you like something to eat would you like to learn to fly would ya, would you like to see me try
I was very glad later when I was directing that I wasn't in the hands of a cinematographer and hoping that he would do it well. I would know what he was doing, and we could discuss how that scene would look.
I would consider directing. I think directing myself would be tough, but I'm definitely interested in directing. I might start off directing a play before I move to a film.
When I was growing up in my area, the worst problem for us was we never had a purpose, I'd just be looking for stuff to do, I would be bored, that's how we would get into trouble.
With my fight style - speed and volume punching - it would be an amazing fight. Golovkin is a come-forward fighter. It would be fireworks, a fight that the fans would enjoy. Because of my style, I would stop him due to the pure amount of punches. Whether it's a cut or he gets tired, stopping him would definitely be on the cards.
In the second grade, I would just get bored and a joke would pop into my head and I would have to say it. It was almost like I had some brilliant novel in my head that I had to get down, and I would interrupt class all the time and get in trouble.
Even on the old show, we would maybe not all be in the scene. Sometimes there would be a penthouse scene and everyone would get together. But, even in that context, it would be because somebody was missing.
Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
If I was constantly on TV, people would get bored of me.
If I'm directing actors, I learn about acting that way. If I'm acting, I learn about directing that way. Producing is just something that's come about because there's projects I find interesting that I would like to help get done.
In the age of activism that is clearly not going away, it would seem that some form of engagement from directors with shareholders - rather than directors simply taking their cues from management - would go a long way toward helping boards work on behalf of all shareholders rather just the most vocal.
This site uses cookies to ensure you get the best experience. More info...
Got it!