A Quote by Gaspar Noe

There are two major masterpieces that really brought the language of dreams or nightmares to the screen. The initial one is Dali and Bunuel's 'Un Chien Andalou,' and then later, David Lynch's 'Eraserhead.'
A few friends and me used to go and watch Bunuel, Carne, Cocteau... Cocteau and Bunuel were surrealism. And I was very excited by that. 'Un Chien Andalou', especially.
I really wanted to work with David Lynch. I was a big fan of The Elephant Man and Eraserhead.
David Lynch is very important to me, and he does dreamlike movies, but my dreams are not like David Lynch's dreams. I have no interest in copying anybody's work. It would never occur to me to want this to look like someone else's thing.
I spent a long time on my first movie, which was the sequel to a short film that I did called 'Carne.' And I had no money. I shot it over a period of three years, a bit like David Lynch directed 'Eraserhead.'
The first time I lay actual eyes on the real David Lynch on the set of his movie, he's peeing on a tree...Mr. David Lynch, a prodigious coffee drinker, apparently pees hard and often.
Luis Bunuel's two semishort surrealist hand grenades (cowritten in varying degrees with Salvador Dali) make a double bill that can restore your faith in the subversions of youth. Pure Spanish-Parisian piss and vinegar.
We love David Lynch. We're big David Lynch fans.
Fellini and Bunuel changed my life for me, they are my favourites. If it is true that movies are dreams, both of them, Fellini and Bunuel were shooting in a dream way.
Un Chien Andalou' can be replayed over and over and over.
But Eraserhead was the first real intense kind of thing I had ever done before the cameras and Lynch had to really bring me down a lot and he still does.
I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a movie-maker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It's not a David Lynch picture. It's the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.
There is all this stuff about how sensitive poets are and how in touch with feelings, etc. they are, but really all we care about is language. At least in the initial stages of the process of writing the poem, though later other things start to come in, and a really good poem usually needs something more than just an interest in the material of language to mean anything to a reader.
I'd really love to watch David Lynch work, to be a fly on the wall.
David Lynch is a very kind and warm-hearted man. I really think he's brilliant.
I only have two kinds of dreams: the bad and the terrible. Bad dreams I can cope with. They're just nightmares, and the end eventually. I wake up. The terrible dreams are the good dreams. In my terrible dreams, everything is fine. I am still with the company. I still look like me. None of the last five years ever happened. Sometimes I'm married. Once I even had kids. I even knew their names. Everything's wonderful and normal and fine. And then I wake up, and I'm still me. And I'm still here. And that is truly terrible.
All the dreams I dream are nightmares and those nightmares are the ones I live.
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