A Quote by Gaspar Noe
I always thought it would be good to do a psychedelic movie like '2001: A Space Odyssey.'
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Back in the Seventies, we had a romantic, poetic vision of the future, like it was in the movie '2001: A Space Odyssey.' It felt as if everything was still ahead of us.
In the future, search engines should be as useful as HAL in the movie 2001: A Space Odyssey-but hopefully they won't kill people.
A voice expressing emotion in a musical way moves on. It's like the finale of the movie 2001: A Space Odyssey (1968) - the world turns in on itself, as a universe unto itself, in the shape of one human being.
A lot of cinematic influences on 'Descender' - Kubrick for sure. '2001: A Space Odyssey' is my favorite movie. It has been since I was 12. I just love that film.
I remember going to London with my father in 1968 to see '2001: A Space Odyssey.' I just soaked in that movie. To me, that was real; it was going to happen.
Standing beneath the white light of an Apple store is like standing on a Stanley Kubrick movie set. His '2001: A Space Odyssey' predicted Jobs and a future where technology was our friend. Kubrick, of course, didn't like what he saw. And occasionally, I have my doubts.
'2001: A Space Odyssey' is a movie that really impressed me as a teenager. And also 'Blade Runner.' And 'Close Encounters of the Third Kind' is also one of my favorites. I'm always looking for sci-fi material, and it's difficult to find original and strong material that's not just about weaponry.
In 1969 I was 16, and for me anything was possible. '2001: A Space Odyssey' was in theaters. Man's future in space seemed limitless, and here on TV to punctuate it all were men walking on the moon.
2001: A Space Odyssey was a wonderful conundrum when I was a boy, with its giant concepts thrown across the giant screen at Indian Hills Theater. That movie woke me up in ways that I hadn't imagined, and I went searching for book versions of the same drug.
My review of 2001, the year, is the same as my review of 2001: A Space Odyssey. It went on too long, it was hard to follow, and you could only enjoy it if you were really, really, *really* stoned.
My parents wanted to name me Karim Hill. My aunt always liked the name Dule, from this actor Keir Dullea, who was in '2001: Space Odyssey.' That's how I got the name Karim Dule Hill. Growing up, I never liked the name Karim because people would ask me, 'Could you dunk like Kareem Abdul Jabbar?'
'Interstellar' may never equal the blast of scientific speculation and cinematic revelation that was Stanley Kubrick's '2001: A Space Odyssey,' but its un-Earthly vistas are spectral and spectacular.
If you take 2001: A Space Odyssey as an example of somebody who creates a new language in film by what he was able to accomplish with art direction, photography, lighting, etc., it is still a gold standard for science fiction.
The genius is not in how much Stanley Kubrick does in “2001: A Space Odyssey,'' but in how little. This is the work of an artist so sublimely confident that he doesn't include a single shot simply to keep our attention. He reduces each scene to its essence, and leaves it on screen long enough for us to contemplate it, to inhabit it in our imaginations. Alone among science-fiction movies, “2001'' is not concerned with thrilling us, but with inspiring our awe.
Young people today are flooded with disconnected images but lack a sympathetic instrument to analyze them as well as a historical frame of reference in which to situate them. I am reminded of an unnerving scene in Stanley Kubrick's epic film, 2001: A Space Odyssey, where an astronaut, his air hose cut by the master computer gone amok, spins helplessly off into space.
'2001: A Space Odyssey' - I'd watched and hated it seven times before it provided the first 'religious experience' I'd ever had watching a film. Finally, I was able to pick up on what the film was transmitting almost entirely through dialogue.
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