A Quote by Gaspar Noe

I'm very proud of every single movie, whether they make money or not. — © Gaspar Noe
I'm very proud of every single movie, whether they make money or not.
Whether in success or in failure, I'm proud of every single movie I've ever directed.
This will be the fourth time I've seen this film. I'm very proud of it and I think it's a great movie for women of any age. And almost every single man I've talked to has admitted to crying.
Just getting movies made is difficult because it takes a lot of money; I mean, it costs more money to make one movie than most bands will spend on every single record of their entire career; it's a huge undertaking.
When you watch a tea ceremony, every single movement, every single gesture is very calculated. It's very precise, and it's all protocol. It's all a part of the system. And it's almost like they've sacrificed every single thing to make that perfect. It's like their craft.
I think every filmmaker in Europe would be lying if they didn't say one day they just wanted to make a movie here in Hollywood or at least try it. It's very different from European filmmaking, because here it's like a real industry. It's very much about money and making money, which I think is fine, because it's very expensive to make movies.
I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
In every single 'Tinker Bell' movie, I feel like there's a message that I'm proud to communicate with kids.
I've toured the U.S. every single year and I've put a record out every single year whether it was on a major label or not; that doesn't make any difference to me.
I would love to win an Oscar one day. That would be a very wonderful thing. But in the meantime, I really hope that I make films I'm proud of. A lot of people aren't going to like the movies I make, I'm sure. But as long as I'm proud of the movie and I'm not selling out, and I'm doing things that make me happy and make me grow as an actress, I'll be good.
The movie business is not about the money. Of course, you need money to make the movie. If you have a small budget, adapt yourself. Having $200 million dollars doesn't ensure that you're definitely going to make a good movie. There's so many examples that prove that.
People call me a movie star. If you're in the business, a movie star is someone who can make a film bankable. My name and $6 million will make a $6 million movie. I'm a working actor. Because I started late, I had a very short run as a leading man, and my films didn't make money in America.
The system did not want me to make 'Go.' And I sort of stood up to the system and made the movie I wanted to make, and the fact that I did that and I'm proud of the movie means I'm really proud of myself when I look back on that.
I'm proud of Larry Sanders and proud of every single person who went on that journey. It's a very special show to me, and I've learned a lot of lessons from it. I need to find something where I can learn some more lessons, and then I'll do that project.
People seem to think that my movies are so carefully coordinated and arranged - and in a lot of ways, they are - but every single time I make a movie, I feel that every director makes these choices. You make choices about your script, you make choices about your actors, and how you're going to stage it, and how you're going to shoot it, and what the costumes are going to be like, and in every single detail, you make that decision. And for me, what ends up happening is, I wind up surprised at the combination of all these ingredients. It never is anything like what I expected.
I probably made a few pictures I shouldn't have done, but I have four sons and I have to pay the rent. If you have a decision to make about whether or not you can buy groceries at the market or whether or not you're going to make a bad movie, you're going to make a bad movie.
This site uses cookies to ensure you get the best experience. More info...
Got it!