A Quote by Gautham Menon

I don't like to shoot on sets at all. As much as possible, I try to shoot on location. — © Gautham Menon
I don't like to shoot on sets at all. As much as possible, I try to shoot on location.
Shooting against greenscreen... my choice of filming is, like, I'd rather shoot on location than shoot on a set, and I'd rather shoot on a set than shoot against greenscreen. You start stripping away the layers of reality, and it becomes a lot less fun to actually film.
I try not to tell students where to shoot, when to shoot, or what to shoot. I feel finding the picture is the most important part of being a photographer. The actual shooting is of lesser importance.
It's so much harder to recreate something than it is to shoot at the actual place. It's not without its problems. You've got a lot of bystanders and security issues, but it's always a lot easier and a lot more fun to shoot at the actual location.
Like, if I'm assessing someone's game and they can't shoot, they can't shoot. And they know they can't shoot. It's not like I'm making fun of them. I just keep it real, man.
There used to be a period of time when you'd shoot big studio movies where you would shoot a couple of pages a day. For a TV show, you've gotta shoot seven to nine. The schedules are much more compressed.
I usually bring a point and shoot with me so I can go out on the weekends and shoot a bit. I used to bring more cameras, but I'm also an Ebay nut so sometimes I'll order something if I'm really pining for it when I'm on location.
Usually, I have in mind what I want to do. I shoot pretty economically, so I'm not shooting tons of stuff that I could change, all that much. I'll cut something or add a little something back, but not too much. This is maybe the producer part of me, but I'm always worried about the budget, so I shoot what I know I need to shoot for the film.
Haven't you ever heard of the saying, "If you want to shoot the general, first shoot the horse!"?' --Lin If you wanna shoot the general, then you should just SHOOT THE GENERAL!' --Ed
I try to shoot film wherever possible. There's nothing like it.
We shoot with three cameras, try to shoot both sides of coverage if possible. That allows the actors to overlap and to find moments that feel more authentic and real than what you sometimes would normally get in a scripted drama that's shot more classically. And that's something in 'Parenthood' that has evolved.
When you're working with a script and you have three pages for that day, you have to shoot that. It can become sort of like a prison, because by the time you've shot what you need to shoot, you don't really have time to think or shoot anything else.
I try and shoot as often as I can, I cross shoot. I have at least two cameras rolling at the same time. So I'll have two actors or two sets of actors at a time so everybody's basically on camera. So when they improvise we have everybody's coverage. And you can then go in the editing room and find the energy still stays there.
I think not being a professional photographer was actually a blessing, because it allowed me to shoot things professional photographers wouldn't shoot, or wouldn't try or attempt to shoot without lights. So I did all my stuff natural and without lights.
Don't overthink things in front of you. I fit moves you, shoot it. If it's fun, shoot it. If you've never seen it before, shoot it.
If you shoot for the stars and hit the moon, it's OK. But you've got to shoot for something. A lot of people don't even shoot.
I'm trained to look for certain things... I shoot, I shoot, I shoot, and then I go find it in the ether.
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