A Quote by Gautham Menon

I write linearly without knowing the full story. I discover it as I write it. — © Gautham Menon
I write linearly without knowing the full story. I discover it as I write it.
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
I can't really write anything without knowing the ending. I don't know how people do that. Even with my superhero stuff, I have to know at least where I want to take the characters and what the ending of my story with them will be. I just can't structure stories or character arcs and stuff without knowing the endpoint.
Nine-tenths of the value of a sense of humor in writing is not in the things it makes one write but in the things it keeps one from writing. It is especially valuable in this respect in serious writing, and no one without a sense of humor should ever write seriously. For without knowing what is funny, one is constantly in danger of being funny without knowing it.
When thousands of people discover that their story is also someone else's story, they have the chance to write a new story together.
Delia Sherman once told me that you never learn to write a story. You only learn to write the story you are currently writing. You have to learn how to write the next story all over again. And she's absolutely right.
To write a good love letter, you ought to begin without knowing what you mean to say, and to finish without knowing what you have written.
I can't write my life story without Emmitt and Troy. They can't write their life stories without me. We're tied together forever. This is a day to remember for the rest of our lives.
If you can discover what you like, if you can discover what you truly believe about most of the major matters of life, you will be able to write a story which is honest and original and unique.
I always write a draft version of the novel in which I try to develop, not the story, not the plot, but the possibilities of the plot. I write without thinking much, trying to overcome all kinds of self-criticism, without stopping, without giving any consideration to the style or structure of the novel, only putting down on paper everything that can be used as raw material, very crude material for later development in the story.
The best advice is not to write what you know, it's to write what you like. Write the kind of story you like best - write the story you want to read. The same principle applies to your life and your career.
I don't really decide what the core of the story is before I write. I write to figure out what the story is. And I think the characters end up talking to you and telling you what they want to be doing and what is important to them. So in some ways, your job is to listen as much as it is to write.
I do not really write for children: I write only for me and for the few people I hope to please, and I write for the story.
Write. Write. Write. Learn how to revise. No story is perfect straight from the keyboard.
Respect is one of the greatest expressions of love. If other people try to write your story, it means they don't respect you. They consider that you're not a good artist who can write your own story, even though you were born to write your own story.
Discover the time of day when you write best, and write then. For me it's about 7 am to noon. For other people it's overnight. Try not to do anything other than write between those times.
I don't write for an auditorium full of people. I don't write for the microphone; I write for the page.
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