A Quote by Gautham Menon

When I was approached to remake 'Vinnaithandi Varuvaaya,' I felt that it was a good way to reach out to a wider audience, every director wants that. — © Gautham Menon
When I was approached to remake 'Vinnaithandi Varuvaaya,' I felt that it was a good way to reach out to a wider audience, every director wants that.
Home Label was a part of me that wanted to reach out to a wider audience, a wider clientele. People who like design, who aspire for better design but they're too intimidated by the metros, all the big designers and the big label.
I'm able to reach a wider audience, an older audience. I can gladly say that I'm definitely not a bubblegum princess anymore.
A singer doesn't sing at home: he or she wants his songs to reach out the audience. Audience always gives you your due.
I know that when I make a record like The Delivery Man as a contrast to even Il Sogno, this is going to reach a wider audience, because it communicates in that very direct way.
'Overboard' was the movie that I put on when I wasn't feeling great, and it always made me feel better. I could watch it a gazillion times. So when they approached me to be a part of this remake, I was terrified because I felt like there's no way anything could live up to the original. But it was thrilling.
I would like to get a wider audience. With 'Tiger Zinda Hai' I reached out to Salman Khan's market, through 'Soorma' I can reach out to Diljit's fans. As an actor I want to have my own market too.
The multiplexes audience has one way of thinking. When they are all sitting together temperamentally, there is room for a filmmaker to reach out to a far larger audience in a comfortable way.
To me, mass media is when you are able to use a platform to reach an audience on a large, global scale, and I think YouTube has certainly achieved that and is still finding ways to bring a wider range of content to its audience.
AdNectar was born out of a class project at the Stanford Graduate School of Business in January of 2008. The founders are all avid social network users and we wanted to see if we could discover the optimal way for advertisers to reach consumers in a way that felt authentic and organic, and yet was scalable to a mass audience.
You can be playing a line some way and the director wants you to change that, or you can disagree. But I always think that the creative conversation between director and actor is what leads to good work.
When I was making short films, I didn't see a way to give them a wider reach or earn revenue out of it.
A good director creates a playground for actors, and lets them go. The trick for a good director is in casting properly, and creating the playroom, and then they'll get stuff that they don't expect, and can't even direct. All the audience wants to believe is that whatever is happening, it is happening for the first time. They want to see the people within the work exchanging dialogue and action in that moment. There are not a lot of actors that can do that.
To be an actor is to be ambiguous in every form, which is a very hard way to live. You represent desire: the desire of the director and the desire of the audience, even if it's a subconscious desire. If a director is to work with you for two months, he must be in love with you in some way or another.
When you meet a director who wants to remake a movie, you have to ask, does he or she have an interesting vision and idea, something that intrigues you - is there a reason why we should do this?
I did a Norwegian film called 'Insomnia' that was remade and that was a good remake by a good director, so I'm honoured.
We did reach a wider audience with 'SNL,' but it's hard to know what attracts people to your band in the long run.
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