A Quote by Gautham Menon
The Tamil audience is more receptive to unusual endings.
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My family doesn't do happy endings. We do sad endings or frustrating endings or no endings at all. We are hardwired to expect the next interruption or disappearance or broken promise.
Making people laugh is so much more difficult than making them sad. Too much fiction defaults to the somber, the tragic. This is because sad endings are easy in comparison - happy endings aren't at all simple to earn, especially when writing to an audience jaded by them.
Human beings around the world have to be taught to go, 'Tamil equals Tamil civilians first, and the Tamil Tiger is a separate thing.' And both of those groups are different. It's like a square and a circle.
I'm always trying to bring unusual content to a different audience - a non-art-world audience.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. … The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius.
When we're young, we like happy endings. When we're a little older, we think happy endings are unrealistic and so we prefer bad but credible endings. When we're older still, we realize happy endings aren't so bad after all.
I'm not an endings person. I don't do endings. There may have been people in the band who wanted this to be an ending from time to time, but me and Amy don't really do endings. You cannot escape from us. Once we're friends with you, that's it.
And in real life endings aren't always neat, whether they're happy endings, or whether they're sad endings.
It's nice to introduce Vidya Balan to the Tamil audience.
The audience will always be receptive to good music if they are provided that.
I think Chennaiites are the best because the city has a receptive audience.
I prefer the Telugu film industry, as women are respected more than they are in the Tamil film industry. In Tamil cinema, they care only about their hero, who is God.
I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
Conspiracies are a perennial favorite for television producers because there is always a receptive audience.
I find it ironic that happy endings now are called fairytale endings because there's nothing happy about most fairytale endings.
One of the great things about the film being so unusual and provocative is the filmmaker to me doesn't seem to have a definite opinion on the rights or wrongs or the immorality of behaviors and systems, he just presents a set of very unusual circumstances and asked the audience to partake in the judging of what feels right or wrong or what feels natural and unnatural.
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