A Quote by Gavin Hood

And for the people who promote drones as the answer to everything, there is a danger from being distanced from the reality of the ugly mess of war. — © Gavin Hood
And for the people who promote drones as the answer to everything, there is a danger from being distanced from the reality of the ugly mess of war.
I cannot grasp the difference between killing people with drones or rifles and knives. The objective in war is to kill the enemy before he kills you. I can't fathom the almost religious zeal with which the use of drones is being opposed.
Government should have drones. Industries, companies can have drones. Everyone else doesn't need drones. It's just going to create mischief. They are going to be crashing the planes, they're going to be spying on neighbors. People don't need drones.
Every war carries within it the war which will answer it. Every war is answered by a new war, until everything, everything is smashed.
Reckoned physiologically, everything ugly weakens and afflicts man. It recalls decay, danger, impotence; he actually suffers a loss of energy in its presence. The effect of the ugly can be measured with a dynamometer. Whenever man feels in any way depressed, he senses the proximity of something ugly. His feeling of power, his will to power, his courage, his pride - they decline with the ugly, they increase with the beautiful.
TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything.
TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything. But it's bullsh**t! Reflection is crucial.
People would see a lot of times fighting as a ugly thing, as a thing that denigrates the human being. In reality, you see fighting on everything... Everything's fighting. Doesn't matter what it is. You wake up in the morning, to get out of bed is a fight, believe it. So, fighting is actually the best thing a man can have in his soul.
Labels not only free us from the obligation to think creatively; they numb our sensibilities, our power to feel. During the Vietnam War, the phrase body count entered our vocabulary. It is an ambiguous phrase, inorganic, even faintly sporty. It distanced us from the painful reality of corpses, of dead, mutilated people.
The Long and the Short and the Tall made a great impression on me because it was a very ugly tale about the reality of soldiering at a time when we were being gung-ho about the whole thing of war.
This war is not an ordinary war. It is the war of the entire Russian people. Not only to eliminate the danger hanging over our heads, but to aid all people groaning under the yoke of Fascism
So many people are like, 'I'm perfect.' I'm so imperfect; that's why I'm able to let everything out and let people see everything. 'Cause I'm just a mess like every other person that's a mess out there.
I'm concerned that the world is a mess. That's why when I wrote my last book, Let's Face It, I dedicated it to the younger generation because, let's face it, the world is in a mess. Right now, the young people will inherit that mess. I think we have to do everything we can.
The tension of a mysterious danger is even more unbearable than danger itself. People hate the vacuum of an unknown situation. They want security. They even prefer war to the insecure expectation of a war with its threat of enemy surprise. This vague fearful expectation acts on their fantasies. They anticipate all kinds of mysterious dangers; they begin to provoke them. It is the evocation of fear and danger in order to escape the tension of insecurity.
PROMOTE A REVOLUTIONARY FLOOD AND TIDE IN ART. Promote living art, anti-art, promote NON ART REALITY to be fully grasped by all peoples, not only critics, dilettantes and professionals.
In America, there's a programme called 'The Swan.' They take 12 ugly people and call them 'ugly ducklings.' They spend six months and have everything done - plastic surgery, teeth, everything. And then they have this moment where their family is brought in, and they are revealed. It's scary.
It is difficult to say which is more menacing. But both of [points of war danger -Japan and Germany] exist and both are smoldering. In comparison with these two principal focal points of the war danger, the Italo-Ethiopian war represents an episode.
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