A Quote by Gavin Hood

My first experience with film was through a still camera. I would sit, very much against my will, with my father in the game reserve, watching some elephant or rhino or whatever, through a 400 millimeter lens and wait, and waiting and waiting.
I would not sit waiting for some vague tomorrow, nor for something to happen. One could wait a lifetime, and find nothing at the end of the waiting. I would begin here, I would make something happen.
Cinematography is so much about instinct and intuition - you want the same range of experience going into behind the camera as what you see in front of it. Your life experience will come through the lens.
Mostly, I am waiting. Got to finish the edit, I am waiting. Dubbing must get over, I am waiting. Waiting for shoot. Waiting for the set. When you are waiting, your mind isn't relaxed enough to watch a film.
I would ... go up to the mailbox and sit in the grass, waiting. ... Till it came to me one day there were women doing this with their lives, all over. There were women just waiting and waiting by mailboxes for one letter or another. I imagined me making this journey day after day and year after year, and my hair starting to go gray, and I thought, I was never made to go on like that. ... If there were woman all through life waiting, and women busy and not waiting, I knew which I had to be.
The essence of a government health care system - for people who have never lived under it and don't know - is waiting, waiting, waiting. You wait for everything. You wait for years for operations that are routine in America.
Whenever we go to the cinema in Mexico, we have to get taken in two minutes before the film starts. We sit in a little room and wait for everyone else to sit down, or it becomes very difficult. Then, afterwards, there are people outside waiting for me.
The best part of gameday is when kickoff finally happens. The worst part is going through all warmups and stretching and waiting and waiting for the game.
Look at those hedge funds - you think they can wait? They don't know how to wait! I have sat for years at a time with $10 to $12 million in treasuries or municipals, just waiting, waiting...As Jesse Livermore said, 'The big money is not in the buying and selling...but in the waiting.'
I hate to write and spend months just waiting for the film to get financed. Then when you start preparing the film and you shoot it, you've already forgotten why you wanted to make the film in the first place. I like to have some kind of coherent energy that takes you through writing, preparing, shooting.
I was waiting for good films after 'Fugly' released. My second film was important. I kept waiting, and the period strengthened me. I would rather wait and do something worthwhile than take up bad films.
So much in L.A. is waiting. It's so irritating. That's what's good about stand-up. You can go away, and you don't have to sit and wait by your phone. But it is very frustrating.
If we wait for conditions to go from good to perfect, we'll just be waiting, waiting, waiting.
In filming you're waiting. You're waiting for lights. You're waiting for people set things up. And when you're not waiting, you're repeating. And neither is conducive to spontaneity, you know. Comedy makes you very, very neurotic because you think, I - but did I nail it?
I truly believe that we each have a House of Belonging waiting for us. Waiting to be found, waiting to be built, waiting to be renovated, waiting to be cleaned up. Waiting to rescue us. Waiting for the real thing: a grown-up, romantic, reciprocal relationship.
My favorite thing is watching people watch The Hollars movie and then come up to me and say whether they went through an experience like that or they went through an experience nothing like that, but it still was their mom or "that was my brother" or whatever it was - that's great.
They will accuse me of stealing from my father. They already stand in baited judgement, waiting for my first move, waiting to dump their loads of garbage on me.
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