A Quote by Gavin Hood

There's always a theme I'm drawn to, that we humans are not good or bad. We're all a mixture of both. We can have great compassion or commit great violence. — © Gavin Hood
There's always a theme I'm drawn to, that we humans are not good or bad. We're all a mixture of both. We can have great compassion or commit great violence.
Contempt of others is the truest symptom of a base and bad heart,--while it suggests itself to the mean and the vile, and tickles there little fancy on every occasion, it never enters the great and good mind but on the strongest motives; nor is it then a welcome guest,--affording only an uneasy sensation, and bringing always with it a mixture of concern and compassion.
The same thing can be both good and bad. Whenever you speak of good, bad is also present. The world is a mixture of both. There is not good without bad. They are both sides of the same coin. Both are necessary. We have been given free will and discriminating capacity to select what is beneficial to us and to avoid what is detrimental to us. Even Cobra poison can be used as medicine.
I believe that a good comic script can succeed despite being drawn badly, but that a bad script can't be saved by good art. Of course, great writing and great illustration makes for a great comic 100 percent of the time.
The individual is capable of both great compassion and great indifference. He has it within his means to nourish the former and outgrow the latter.
Great passions may either bring great victories or great sorrows! In both cases, it is always a great privilege to have great passions!
'Breaking Bad' is great at blurring the line between good and evil. It makes you feel compassion for Walter White so you're with him throughout this descent into the darker parts of his psyche. The bad that we're capable of is all circumstantial.
The two Virtues of Equanimity and Compassion become more available to the person whose ego-shell has been smashed-either by great suffering or by great love-or by both.
Being the only girl, I feel a lot of pressure. I try not to think about it, but I definitely get in the gym a lot more frequently towards awards season. The guys always look great. They're both great looking and wear a good suit and a great tie and some awesome shoes and they're good to go. I'm like, 'I don't know what to do!'
I got to a point where kind of a oneness with everything and a great compassion. It teaches you compassion. It was a great, enlightening experience, a spiritual experience. Not particularly religious, but spiritual. It was great. I can still go there.
I've worked with some absolutely wonderful directors who bring out the best in me and I know I can trust, and then I've had the opposite experience, too. I've had both experiences, and obviously one is good and one is not good. When they're great, it's good. When they're not great, it's not so great.
That's the difference between a great comic and a bad comic - one has great instincts and has a lot of compassion and can feel what's right and what's wrong.
I'm not sure why I'm so drawn to heroes who do bad things and to villains who think they're the good guys, but I do find that moral ambiguity and conflict makes for great characters.
Right, wrong, good, bad, heaven, hell. I think that is the theme of my life. I think you have to know both in order to honestly choose one. So I'm familiar with both sides of the fence.
Solidarity is not a feeling of vague compassion or shallow distress at the misfortunes of so many people, both near and far. On the contrary, it is a firm and persevering determination to commit oneself to the common good; that is to say to the good of all and of each individual, because we are all really responsible for all
One must shed the bad taste of wanting to agree with many. "Good" is no longer good when one's neighbor mouths it. And how should there be a "common good"! The term contradicts itself: whatever can be common always has little value. In the end it must be as it is and always has been: great things remain for the great, abysses for the profound, nuances and shudders for the refined, and, in brief, all that is rare for the rare.
A great amount of good is always evened out by a great amount of bad. I find it's best to acknowledge that weird balance.
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