A Quote by Gavin Hood

What's genius about 'Gravity' is that you are close upon the actors, but 3D works best when you have foreground, middle ground and background. — © Gavin Hood
What's genius about 'Gravity' is that you are close upon the actors, but 3D works best when you have foreground, middle ground and background.
If character is the foreground of fiction, setting is the background, and as in a painting's composition, the foreground may be in harmony or in conflict with the background.
So much of my work is defined by the difference between the figure in the foreground and the background. Very early in my career, I asked myself, "What is that difference?" I started looking at the way that a figure in the foreground works in eighteenth- and nineteenth-century European paintings and saw how much has to do with what the figure owns or possesses. I wanted to break away from that sense in which there's the house, the wife, and the cattle, all depicted in equal measure behind the sitter.
For example, in your house, you have the heater on the ground itself. Here, it's the gravity. No matter where you are, that's where the gravity is coming from. It's almost like a carpet that you put down. If you're on the other side, it doesn't matter to us because we're still walking on the ground. Actually, at the beginning of the film [Valerian], we see when they install the gravity system.
I was on record before I did 'The Hobbit,' saying I don't care at all about 3D. And I suppose I should now say I care a lot about 3D. I've always loved 3D, I think everything should be 3D, and I think it's just a shame 'The Godfather' wasn't in 3D.
Ideas' can be only in the distant background of a work of art, something like a very low horizon. In the middle distance and foreground... there shouldn't be any 'ideas' visible.
The background of a mayor of a city of any size is a background of somebody who on one hand is an executive and on the other hand is very close to the ground.
You don't need great actors to do a 3D picture. All of this condescending stuff that they put out? "Oh, we will always need actors." Bullshit! They are able to take anybody and put some markers on them, and have them walk through an empty room. Then they paint in the background.
I'm not a massive fan of 3D. I've seen some good 3D, and I've seen quite a lot of bad 3D. I think if a film is created for the shock effect of 3D, then it's a certain type of film that I'm not massively bothered about.
I mean I've seen 3D films so far and I think it's a long way to go before they replace actors. It's a funny thing with 3D, I haven't quite got it yet. Yet.
The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.
Learn as much as you can about performing. Live theater, improv classes, music, stand up comedy, dance, anything to make yourself confident and comfortable in front of an audience. It'll all come in handy when auditioning for producers and performing with other actors. The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.
I love 3D, and I'm very upset about the way it's being treated and thrown away by Hollywood in this kind of horrible grab for the money with all these bad 3D movies and terrible 3D conversions.
What makes a mockery of a lot of these 3D conversions, where they're shot in 2D and converted to 3D. Having laid a real 3D movie, you realize that it's right in the production design. You design sets that enhance the 3D and you design interactive elements, like the rain or smoke. If you're shooting 2D, you don't know about that.
So, I'm not the only one who believes that there is such a thing as "the law of gravity," and if it's a law, it can be violated. If you hit the ground at 120 mph from 1,000 feet, you will suffer the consequences of violating what physics.about.com calls the law of gravity.
The cool thing about 'Spy Kids 3D: Game Over' was that Robert Rodriguez brought back 3D. I feel like he did with that film. Now, every film is 3D.
There is no foreground or background, only a continuity of interlacing relationships
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