A Quote by Gavin Hood

Part of what's so tricky in a film that's two hours long is how many themes can you effectively explore. — © Gavin Hood
Part of what's so tricky in a film that's two hours long is how many themes can you effectively explore.
I did host the Jim Rome show with Jerry Ferrara for three hours when he was on vacation. Three hours is a long time. Think about how long that is. It was tricky, but it was a great experience.
I have so many themes I want to explore, so many questions I'd like to raise and develop, and hopefully, I'll get to do just that.
After making a movie, maybe you weren't able to shoot many of your ideas, because a movie is only 1 1/2 or two hours long, but TV gives you space to film a lot of things.
Our film [Hide and seek ]was created as part of the Asian American Film Lab's 11th 72 Hour Film Shootout filmmaking competition, where filmmaking teams have just 72 hours to conceive, write, shoot, edit and submit a film based on a common theme. The winners were announced during the 38th Asian American International Film Festival in New York last July. The theme for 2015 was 'Two Faces' and was part of a larger more general theme of 'Beauty'.
It makes it very easy. I have a beginning, middle, and end, and I don't film for long - about 20 hours usually for a two-hour film - so it's easily watchable in a week for me and the editor. Once I know who the characters are, I only film those characters, unless somebody else forces their way into the film by a scene happening to them or we meet them by chance.
It's a big responsibility to be the main part of a film because if you don't like me, you have a problem for two-and-a-half hours.
My fear is that of all the choices people face today, the one they rarely consider is, "How can I serve most effectively and fruitfully in the local church?" I wonder if the abundance of opportunities to explore today is doing less to help make well-rounded disciples of Christ and more to help Christians avoid long term responsibility and have less long-term impact.
Whatever direction your life takes, your underlying themes remain. Discover and explore your themes to open the way for rich creative development.
See the minutes, how they run, How many make the hour full complete; How many hours bring about the day; How many days will finish up the year; How many years a mortal man may live.
When you are a part of an all ensemble kind of thing, with many composers in one film, you get the freedom to work on one, or maybe two songs, and experiment without thinking too much about the film.
Theatre is organic, film is not. Theatre you come every day and you work with a group of people and you're are all up for it and you all get to do the whole thing every night, be it two hours or three hours. In film you work in two or three minute bits and it's never in chronological order and then someone takes that away and makes it look like it all happened, or that you gave that performance.
You don't see what's gone before. A lot of that can be long, long boring hours in the gym, long, long hours on the track or, for the likes of Paula Radcliffe, long hours out on the road in the rain running and running.
People only see two hours of a tennis match where you're fighting and running and sometimes getting upset. There's a lot more than those two hours. Going out there and playing is actually the easy part.
There are many films I would happily spend two hours with, not so many I would spend two years with. I need to be obsessed about films, because the way I work, that means two years without sleeping at all, and losing part of your life. I need to put all of my energy and heart and soul and bones and blood and skin and muscles in the things that I do.
Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world.
Let us candidly confess our indebtedness to the needle. How many hours of sorrow has it softened, how many bitter irritations calmed, how many confused thoughts reduced to order, how many life-plans sketched in purple!
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