A Quote by Gavin O'Connor
Sundance is going to be a defining moment in my life. But the unfortunate thing about Sundance is, when you have a film there, you can't have the opportunity to see other films.
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What's so great about Sundance is that they only accept such a small handful of films per year for dramatic competition, so you know when you're going to Sundance that you're going to see top-quality projects.
I'll just say it: I love Sundance; my very first film won Sundance.
I'm about to go to Sundance for my 3rd year, and Sundance has never felt like a real independent festival at all. On the other hand, it might to start feel that way.
David Michôd changed my life, quite literally, along with the chaps at Sony Pictures Classics. That's what set me on my way. I thought we did good work and had a good film, but when it was so praised at Sundance that year that's what really started the ball rolling. We all paid our own way to Sundance.
What's great about the Sundance Film Festival is the festival takes over that town as it's intended to do. But, it's very focused on a lot of other filmmakers and distributors so it almost feels like, while they're a lot of so-called civilians there, it's an opportunity that you have to see, to show your stuff to the other folks, your peers really, and to get that reaction.
For some reason at Sundance, more than other festivals that I'm aware of, you find filmmakers rushing to screen works that sometimes aren't completed. In my seven years of programming at Toronto, I'm not aware of any documentaries that went back for serious editing after their premiere - other than those presented as works-in-progress. But at Sundance every year there seems to be a few films that push the deadline so hard that they get taken back to the edit room afterwards.
Filmmakers are always in a bubble; along with our crew or writer, we don't really get to socialize with other filmmakers, so the great thing about Sundance is you can see many other filmmakers doing the same thing you do.
Sundance claimed to be "rebellious" on all of their programs, but they are not. Most of the movies at Sundance were multi-million dollar pictures that were already guaranteed a theatrical release.
I saw 'Birth' at the Sundance Film Festival with a thousand other strangers, and I couldn't believe that was me in the film. I didn't recognize myself.
The first time I ever intersected with the quote unquote industry or Hollywood or being given a paid job as a director all came because of the reputation I got coming out of Sundance as a veteran Sundance filmmaker.
The only Sundance [2011] film about cults that could actually have life as a cult film, THE WOODS has the greatest comic insight into why our current culture might inspire a search for meaning in the first place.
I just really feel so grateful to Sundance because I've always been an artist and I've never been able to make a living at being an artist until Sundance.
I see a lot of art; we see a lot of music, films at Sundance... that influences me and informs me more than theater just because I make a bigger effort to see other art forms.
There's so many great films coming out. It's still kind of astonishing to me how certain films get ignored, and that film ended up getting ignored and didn't get the attention that it deserved at Sundance.
When I went to Sundance back in 1998, indie film was all the rage, and Miramax was throwing down five or six million dollars for several films each year. Those were the salad days of indie film, and those days are over. I'm not out there worrying too much about it.
Talent has no gender. People are hiring young male directors right out of film school, off of a student film or off of a film at Sundance for millions of dollars. You can do the same with a female. It's not a risk about the work if you respect the film that they made.
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