A Quote by Gavin O'Connor

I remember, after 'Tumbleweeds,' my friend and I wrote 'Pride and Glory.' I was just about to get it going. I had some really great actors attached, and New Line was going to make the movie, and 9/11 happened. And it was over. By September 12, it was over. And rightfully so. I understood that.
Women became almost our bigger audience. Teenage girls went crazy for my movie. I saw it. I went to theatres all over and there were gangs of girls going and screaming. There were kids that were 10 or 11 years old when September 11 happened. They've been told for years they're going to get killed, they're going to get blown up. Every time you go on an airplane, X-ray your shoes because you're going to get blown up. Terror alert orange, don't travel. So, people have a reaction and they want to scream. Horror movies have become the new date movie.
I wrote my first song at 12 and remember someone asking, 'What were you going through at 12 that you could write about?' I get what you're saying, but 11, 12, 13 were the hardest years of my life. You learn everything. You learn how horrible things feel.
'Emeril' came on the air right when a new president of NBC was taking over, and there was just a big shift going on. And then 9/11 happened, and that really pretty much killed it, because the show was already having a hard time finding an audience. I don't regret it. I had a really good time.
I think that one-liners are very important and sometimes you don't even know when you're making the movie that it's going to be a great line. I remember when we did 'The Terminator' and I came to the line "I'll be back" I had no idea that it was going to be an important line.
I do everything by hand... Even if I'm doing really big letters and I spend a lot of time going over the line and over the line and trying to make it straight, I'll never be able to make it straight. From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.
Growing up, I didn't have any comic books, at all. But my friend had a trunk full of them, so comic books were like candy for me. I would go over to his house for a sleep-over, and I would just be devouring everything I could get my hands on. I knew the sleep-over was going to be over, and I was going to go back to my house and it was going to be Kipling.
I don't get that - people going to war over religion. I don't know, I could see going to war over justice or democracy or even revenge. But if you're going to war over religion, now you're just killing people in an argument over who has the better imaginary friend.
I had a massive victory over Ted [Cruz], it turned out. Remember Indiana was gonna be the change? I was gonna win New York, I was gonna win, then Indiana? But Indiana was a landslide. You gotta get over it. You know, at some point you gotta get over it. Otherwise we're gonna have three or four new Supreme Court justices that are going to be a disaster for the Republican Party.
I never meant to write about the experience of losing a good friend to breast cancer when I was going through it. But after it was over, I realized that although something deeply sad had happened, something truly beautiful also had.
Going to the office of some stranger and waiting in a line, in a hallway, with five other guys who look just like you, waiting your turn to go in and embarrass yourself, and then waiting around for feedback, which never comes. I really like that. For a young artist, it seems like the perfect thing to be doing, humiliation, over and over and over and over. Which I'm sure can't be the way that some people look at it, but I thought that was so great. The point of it is if you make your own stuff you don't have to deal with other people's bullshit.
When I first heard that they were going to make 'Beauty and the Beast' at Disney, I was like, 'Oh, God, there's no way I'm going to see that movie,' because I knew what that movie was, was just two people sitting down to dinner over and over and over again. But then when I went to see it, it was like, 'Oh, they made it work.'
Few knew in 2000 that Bush was going to end up with neoconservatives all over the place. And once 9/11 happened, I think it's fair to say that eight or nine neocons have had an enormous influence. The whole solution to every problem was to go after Iraq. This had been a neoconservative mantra for ten years. There was no secret about it.
After September 11, 2001, I was feeling like I really wanted more understanding between cultures. It seemed to me that so much of what happened on September 11 was because people didn't understand each other and were suspicious of each other.
He knew something was going to happen and his entire system was waiting on it. He thought it was going to be one of the supreme moments in life but apart from that, he didn't have the vaguest notion what it might be. He pictured himself, after it was over, as an entirely new man, with an even better personality than he had now. He sat there for about fifteen minutes and nothing happened.
I remember when I was in film school. It was my second year, and some kid did - had this really over-religious symbolism; like, it said 'John 3:16' and had angels falling over, and it was just this insane - it wasn't that great.
I don't want to be callous about it, but we all seemed to get over the Oklahoma bombing pretty quickly, and we're never going to get over 9/11.
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