A Quote by Gene Saks

Playwrights are naturally wary and protective - God, who's more protective than a playwright? You read a play, the playwright wants to hear from you immediately. — © Gene Saks
Playwrights are naturally wary and protective - God, who's more protective than a playwright? You read a play, the playwright wants to hear from you immediately.
In 1980 I sent a play, 'Jitney,' to the Playwrights' Center in Minneapolis, won a Jerome Fellowship, and found myself sitting in a room with sixteen playwrights. I remember looking around and thinking that since I was sitting there, I must be a playwright, too.
One of the things he liked about playwriting as to any other kind of writing is that a playwright is a w-r-i-g-h-t, not a w-r-i-t-e; in other words, that a playwright is more of a craftsman than an artist of the big novel.
One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.
People are more naturally protective of what they create than of what they consume.
Sometimes we go to a play and after the curtain has been up five minutes we have a sense of being able to settle back in the arms of the playwright. Instinctively we know that the playwright knows his business.
I'm sensitive about the criticism [for not producing new playwrights], yes. But I'm hip to it as well. I read 500 new plays a year, and 99.99 percent of them are not good. I see no reason to do a new play just because it's new. It's like kissing your sister, a virtue, but so what? It seems to me more worthwhile to take a proven playwright and say, Write something for us.
It's not hard to draw from within yourself to play someone protective of her daughter. I have animals and I'm a daughter, sister, wife, aunt and friend, and I can be fiercely protective.
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
Stage is the place of the playwright: you're guided by great actors and directors, but it's the playwright's word on the page that counts.
I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
I do come from a theater background, where the playwright is optimal and king and you have to serve the playwright. So I am, of course, a huge fan of scripted everything.
I am not a playwright. A playwright would take "Antigone" and hit it a few clouts and knock it out of shape and restructure it. My versioning was strictly verbal.
What was once a cottage industry dedicated to the discovery and development of new voices and works has become instead the raison d'etre for many a playwright's existence . . .. And since readings have become playwrights' main source of exposure, the nature of playwriting has changed to fit readings' needs. Investigation into what is eminently theatrical has been substituted - more and more these days - by what can simply come across and read well.
He is just protective over me-” “Not protective, Tania. Consumed.
A lot of American playwrights seem to have a career as a playwright. I don't consider it a career at all.
My family is just embarrassingly proud of me. My brothers get a little protective... overly protective. I've made rules now where I say: "You can't go outside and scream at people if they have cameras!"
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