A Quote by Genesis P-Orridge
Everything we do is art, philosophy, mysticism, cultural commentary.
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What does mysticism really mean? It means the way to attain knowledge. It's close to philosophy, except in philosophy you go horizontally while in mysticism you go vertically.
The whole history of modern poetry is a continuous commentary on the short text of philosophy: every art should become science, and every science should become art; poetry and philosophy should be united.
The philosophy that prepares a revolution and the sentiment that underpins the philosophy have, in every case the two pillars of nihilism and mysticism.
Religion is nothing but institutionalized mysticism. The catch is, mysticism does not lend itself to institutionalization. The moment we attempt to organize mysticism, we destroy its essence. Religion, then, is mysticism in which the mystical has been killed. Or, at least diminished.
Love is the essence of all religion, mysticism, and philosophy, and for the one who has learned this, love fulfills the purpose of religion, ethics, and philosophy, and the lover is raised above all diversities of faiths and beliefs.
Of course, mysticism is very hard to isolate because, given the kind of consciousness that I was sort of instructed in as religious consciousness; that borders on mysticism so closely that it's hard to know whether you qualify or not, or whether mysticism is artificially isolated when it is treated as a separate thing from experience. Obviously, mysticism can be a form of madness, but then consciousness can be a form of madness.
One of two things is usually lacking in the so-called Philosophy of Art: either philosophy or art.
The three values which men had held for centuries and which have now collapsed are: mysticism, collectivism, altruism. Mysticism — as a cultural power — died at the time of the Renaissance. Collectivism — as a political ideal — died in World War II. As to altruism — it has never been alive. It is the poison of death in the blood of Western civilization, and men survived it only to the extent to which they neither believed nor practiced it.
Art teaches you the philosophy of life, and if you can't learn it from art, you can't learn it at all. It shows you that there is no perfection. There is light, and there is shadow. Everything is in half tint.
Mysticism has often been misunderstood as the attempt to escape this simple, phenomenal world to a more pure existence in heaven beyond. This is not mysticism, but Gnosticism. Biblical mysticism is the attempt to exit 'this world' to an alternative reality that pervades the old order. Its goal is to jettison the mind-set that says 'greed is good,' selfishness is normal,' and 'killing is necessary.' Mysticism in biblical terms is not escapism, as so many have caricatured it, but a fight for ethics and social change.
It is a thoughtless and immodest presumption to learn anything about art from philosophy. Some do begin as if they hoped to learnsomething new here, since philosophy cannot and should not do anything further than develop the given art experiences and the existing art concepts into a science, improve the views of art, and promote them with the help of a thoroughly scholarly art history, and produce that logical mood about these subjects too which unites absolute liberalism with absolute rigor.
Everything you have is to give. Thou art a phenomenon of philosophy and an unfortunate man.
I'm just a middle-class farm boy from Dodge City, Kansas. And I always thought that acting was art, writing was art, music was art, painting was art, and I've tried to keep that cultural vibe to my life.
Pseudo-mysticism seeks to evade reality; authentic mysticism wants to live it.
When the only form of cultural commentary Christians offer is moral condemnation, no wonder we come across to non-believers as angry and scolding.
It's impossible to say that live art enjoys any single status in the information age--there are versions of live art that are still primarily art-world phenomena, others that appeal to much broader audiences. The Burning Man festival is a case in point--an event featuring performance that is itself a performance, which partakes simultaneously of frontier mythology, a counter-cultural impulse, and popular cultural visibility.
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