A Quote by Genndy Tartakovsky
TV is all about schedule and budget, and you're always fighting that.
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My schedule fills up so ridiculously hard that you see me fighting and I take a loss or you see me fighting and I look terrible, but you have to go back and if you could see the schedule that I'm on you'd say, this is crazy. There's nobody who should be fighting on this kind of schedule.
With TV, you just have to finish the days and get the episodes out. And it's always going to be an impossible schedule. That's the funny thing with TV that not a lot of people realize.
It's a very stressful thing, directing a movie. You have the budget, you have the schedule, you are in certain confines, and you have everybody giving you advice about what to do.
With films, you are not so much on a schedule. TV is all about scheduling.
But TV and movie schedules are always easier than a theater schedule, if you have a family.
The biggest budget is the military budget. For what? We're fighting two wars in very small countries that have no nuclear weapons, that have no capabilities to destroy anything. They probably couldn't even get to America.
You always have to write script with a budget in mind. Although it's always good to write the big story, you really have to think about how things are going to work as far as cast, effects and settings. It's a process. You have to always think budget and then execute and make it happen.
I think the rigors of a TV schedule are brutal and 'Six Feet Under' wasn't a network schedule. We did 13 shows, we didn't do 22. I don't know how people do that. I really don't. I mean the shows are shorter, but wow, it's quite a discipline.
For context, the budget of Don Jon is about half the budget of (500) Days of Summer. And (500) Days of Summer is about a third of the budget of the lowest-budget movies produced at a major studio.
When I was making films, we had a lot of time for the fighting scenes. But in TV, we don't have much time to think about how to do the fighting, because there are only seven days for an episode. You have to hurry. This is a challenge.
Programming is a Dark Art, and it always will be. The programmer is fighting against the two most destructive forces in the universe: entropy and human stupidity. These are not things you can overcome with a "methodology" or on a schedule.
We're still at a point where women [directors] aren't allowed to be mad visionaries. We have to prove beyond a shadow of a doubt that we're responsible, that we can handle it, that we've got all our ducks in a row . . . most women who direct always come in on budget, always come in on schedule, and if they were wild and irresponsible it would not be put down to brilliance, but to a general flakiness.
My work schedule doesn't always accommodate my workout schedule, but I make do with what time I've got.
Everything that I've done so far has had a bigger budget than the last, but I've never ever felt the benefit of the bigger budget because the ideas always exceed the budget.
Cheops' Law: Nothing ever gets built on schedule or within budget.
I think there's a lot of interesting stuff on TV. I feel much more optimistic about TV than I do about movies. There will always be good movies but I think, for the most part, it's always going to be a huge fight to get those movies made. TV is the best place to be as a writer, I think.
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