A Quote by Genndy Tartakovsky

Doing simple flip books, I used to get such a kick out of it, just drawings and nothing else. — © Genndy Tartakovsky
Doing simple flip books, I used to get such a kick out of it, just drawings and nothing else.
I got things like the lotus position long before anybody else did, or at least in the mainstream. But I had fun. I guess my legs are pretty flexible, so I used to get a kick out of doing things like that. I would get into a full lotus with my legs and then roll around.
In this job, there are some simple pleasures that really help you cope. One is books, I mean, books are a great escape. Books are a way to get your mind on something else.
In the late 70's I started to make drawings of the ordinary objects I had been using in my work. Initially I wanted them to be ready-made drawings of the kind of common objects I had always used in my work. I was surprised to discover I couldn't find the simple, neutral drawings I had assumed existed, so I started to make them myself.
Once I began doing stand-up, I didn't get a kick out of the applause or being the centre of attention - but I did get a kick out of the jigsaw puzzle aspect of it, searching for the right bit, adding another few pieces each night until the bigger picture appears. That's the appeal: the challenge of it.
Before I studied the art, a punch to me was just like a punch, a kick just like a kick. After I learned the art, a punch was no longer a punch, a kick no longer a kick. Now that I've understood the art, a punch is just like a punch, a kick just like a kick. The height of cultivation is really nothing special. It is merely simplicity; the ability to express the utmost with the minimum.
I knew nothing about fashion growing up, because in Florida you just wear bikinis and flip-flops. But kids can be cruel, and they used to make fun of me for having long legs and bushy eyebrows. My mom would flip through magazines and say, "Look, all these models have that too." I decided I wanted to be a model.
All my work begins with drawings. I don’t labor over my drawings. I want to get freedom in the line. I like to be able to get swift curves in the plant drawings that are usually drawn in five to ten minutes.
I had so many ideas that I wanted to get out at once that it led to simple little drawings and paintings.
If you're doing Plyometrics you can jump higher and run faster and your heart and lungs are going to kick the panties off of anybody else that tries to get out there without it.
The massive thing that has changed for me was the game management aspect. I still get it wrong sometimes, we all do, when to attack and when to kick, how to control the game, speeding it up and slowing it down. Whereas I used to just go flat out, as hard as I can, get the ball out and get to the ruck as quick as possible.
Don't wait. Where do you expect to get by waiting? Doing is what teaches you. Doing is what leads to inspiration. Doing is what generates ideas. Nothing else, and nothing less.
In their eyes as they pass is not hatred, not excitement, not despair, not the tonic of their victory - there is just the simple expression of being here as though they had been here doing this forever, and nothing else.
When you get frisked by the police at the age of 10, and they empty your schoolbag out in the street and kick your books around and calling you names because of where you live, you just get an anger towards everyone who is outside of your neighborhood.
I'm very critiqueful of my own stuff, and I kick everybody out the studio when I'm singing, no one is in the studio, it's just me and the engineers, no one else in the studio when I'm doing my thing.
One of the first drawings I did in Paris - I wasn't thinking of doing drawings, but somehow or other, I kept drawing - I bought a hyacinth flower with a lot of leaves, just to make me feel like spring.
My greatest love in life is to develop projects. I just get a huge kick out of that. I've been doing it since ever I could.
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