A Quote by Genndy Tartakovsky
I mean, for sure, from my history, I have an extreme fondness for 2D. I think it feels very hand-crafted, and you see the artist's personal touch. I think something about CG makes it a bit more sterile.
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The industry in Japan moving toward CGI is not as severe and extreme as in the U.S. The animation industry in the U.S. is firing 2D animators and closing those studios, but I think it's possibly because the national traits of the U.S. prefer super-realism. Since Japan is a country that prefers plane vision, I don't think we will leave 2D and substitute hand-drawing with CGI entirely.
It's not often that you get to read something that just feels very original for a star but also something that feels like it's more than just a movie or entertainment. Even though the riots were one of the most pivotal riots in civil rights history, especially for the LGBT community, I knew surprisingly very little about them. You don't learn about Stonewall in schools. It's a bit gross really! So it certainly felt like something that was quite important.
Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.
This new generation of animators was trained in CG. They know all the fundamentals of any 2D animator, but a lot of them learned on these CG rigs. You give them a good rig, and they can make that thing sing.
We're not purists about stop-motion. If there's a tool we can use that makes more sense to bring something to life in a better way, we'll use it, whether that's hand-drawn animation or CG or some newfangled technology we're developing.
'Snowpiercer' is a little bit more experimental, I think, and crafted for a slightly different audience. 'The Giver' is more about teen angst.
I don't sell anything. So, I have a personal image, but I think that's because I'm from an art background, and I'm an artist, and I think most artists do have personal images. I consider myself more in that category of the way an artist had a look.
TV is great, and I love it, but to watch somebody's hand-crafted drawings on the big screen is an experience that we've forgotten as an audience, how much fun 2D can be.
'Celebrity' is sort of an idea. I mean, I get to do something extraordinary, but I don't think it makes me extraordinary. That's my opinion. I like to be an artist; I like to do things that are involved in the arts, but I don't think it makes me more special than a doctor, for example. A doctor is an extraordinary person.
I just believe in collaboration. I mean, I've written songs on my own, you know, but I think if the artist has something to bring to the table - someone like Pink, for instance - where they have something to say, it makes your job easier and more special.
I think that's the role of an artist, right? To touch someone and make us stretch out just a little bit more.
What causes homophobia? What is it that makes the heterosexual man worry about this? I think it's because deep down all men know that we have weak sales resistance. We're constantly buying shoes that hurt us, pants that don't fit right. Men think, 'Obviously I can be talked into anything. What if I accidentally wander into some sort of homosexual store thinking it's a shoe store and the salesmen says, 'Just hold this guy's hand, walk around a little bit, see how it feels. No obligation, no pressure, just try it.'
You can keep counting forever. The answer is infinity. But, quite frankly, I don't think I ever liked it. I always found something repulsive about it. I prefer finite mathematics much more than infinite mathematics. I think that it is much more natural, much more appealing and the theory is much more beautiful. It is very concrete. It is something that you can touch and something you can feel and something to relate to. Infinity mathematics, to me, is something that is meaningless, because it is abstract nonsense.
I'd like it to be a bit of everything, the kind of music you can dance to, but also something a bit more personal, that you can listen to in other contexts. I think it's very important to maintain the contrasts between the different types of music that I make.
"Celebrity" is sort of an idea. I mean, I get to do something extraordinary, but I don't think it makes me extraordinary. That's my opinion. I like to be an artist, I like to do things that are involved in the arts, but I don't think it makes me more special than a doctor, for example. A doctor is an extraordinary person. Doctors should be celebrities. We just entertain people. They save lives.
I think that when we're looking at things when we're right in the center of things, as opposed to being a bit unmoored from what's going on around us, we see things through a kind of dulling lens of convention, and there's something about extreme emotional experiences that gives us a heightened clarity, I think, of thought and of feeling.
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