A Quote by George A. Romero

I think you're only free if you're working on very low or huge money. — © George A. Romero
I think you're only free if you're working on very low or huge money.
No, I don't think 'The Wire' screwed up my career at all. It's the only reason people have heard of me. It's only been a huge, huge, very fortunate bonus.
I'm very low-maintenance, and that is a problem. I'm not demanding at all, and sometimes I feel that I should be throwing tantrums. But since I don't party or socialise, and am very low-key, I think that makes me very low-maintenance. Actually, I'm the most boring person at a party.
Sometimes money isn't the determinant. But it sure as hell makes a huge difference. Nobody is saying "Well, thank God we don't need to raise money any longer." It's a very, very big deal to have money, and it is a very, very big deal to have more than your opponent.
I'd say it's that most people think that very wealthy people take huge risks and that's why they have huge rewards. But the very best on earth are completely obsessed with not losing money. That sounds overly simplistic, but they know that if you lost 50 percent, it takes 100 percent to get even. Most people don't make that math in their head, so it takes years and years. They are obsessed with not losing money.
Life is very cyclical. And my career has been very-high-very-low, very-high-very-low, and I think it'll probably keep on rolling that way.
I think I had only been working nine months when I got 'Star Trek,' and it was huge. It was very overwhelming. So that opened my eyes a bit at an early age, kind of how not be frightened when walking into a responsibility of something like that.
If any of us were faced with a huge bag of free money and very little accountability, it would be human nature that you would make the most of it.
All the interesting films are now being made by their subsidiaries for very low budgets. But the studios are not making money. They're making these big, very expensive pictures that take a lot of money but don't really pay for their costs. So they're having a very difficult time. I can see the system breaking down. I think the American studios are a reflection or a metaphor for American industry altogether, which is failing in the world. Its economic domination is being broken down and I think the same thing is happening to the studios.
I don't view the fans in the way that most performers do. As a mass of people who have paid money, I know what they want. It's a very, very, very, very, very low common denominator.
I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
Let me tell you this: if Marco Rubio - even though he's only been in the Senate for a very short period of time, that man has a huge, huge opportunity in this country, and I think he could be the president.
I think I had only been working nine months when I got Star Trek, and it was huge. It was very overwhelming. So that opened my eyes a bit at an early age, kind of how not be frightened when walking into a responsibility of something like villain in Batman, or a Hobbit, or whatever it is.
It's hard to align with money if you think that it is evil and nasty. But once you come to an understanding that money is neutral, it's easy to see that having money does not necessarily deprive somebody else. There's no reason why you can't be very rich and still be an extremely spiritual and wonderfully generous person-aligned to the God Force-with a huge heart, and compassion for everyone you meet.
I was a huge comic book fan as a kid. The only problem I had with comic books is how expensive they got. I didn't have a lot of money, so I had to be very specific about what I wanted to collect. I think they're all somewhere in the basement of my folks' house.
I am very proud to be the only candidate up here who does not have a Super PAC, who's not raising huge sums of money from Wall Street...
I think that wealthy white people would like to have a country that resembles the Fifties, when all the minorities were tucked away in ghettos and paid in very low wages but on the surface it was very bright and shiny and free and the rest of the world would look on it longingly.
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