A Quote by George A. Romero
I thought Godzilla was a mess, the monster had no character and the humans didn't either. They forgot to make the movie that went along with all these wonderful effects.
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I have an idea for a Godzilla movie that I've always wanted to do. The whole idea of Godzilla's role in Tokyo, where he's always battling these other monsters, saving humanity time and again - wouldn't Godzilla become God? It would be called 'Living Under the Rule of Godzilla.'
I miss my Dad. My Dad loved cheesy monster movies, so we'd have Godzilla movie marathons. Those are some of my favorite memories, laughing at how the monster outfits were so bad, like black garbage bags for heads.
I think, the first movie I saw that made me go, 'How did they do that?' was 'Godzilla vs. the Smog Monster.'
There is one god, greatest among gods and men, who bears no similarity to humans either in shape or thought... but humans believe that the gods are born like themselves, and that the gods wear clothes and have bodies like humans and speak in the same way... but if cows and horses or lions had hands or could draw with the hands and manufacture the things humans can make, then horses would draw the forms of gods like horses, cows like cows, and they would make the gods' bodies resemble those which each kind of animal had itself.
When I was a little girl, I used to watch a lot of monster movies, like 'Godzilla.' All those monster movies.
Really interesting genre films, especially monster movies, evoke the fears of the times intentionally. Our starting point was 'Godzilla' - the original movie was released less than 10 years after Hiroshima, and it's a classic in Japan.
Humans had a saying. Mess with the bull and get the horns. Well, Harpies had a saying, too. Mess with a Harpy and die.
I really thought Reagan was going to push the button and blow us all up. It was scary. So when they did the 1998 American Godzilla film, Hollywood didn't understand what Godzilla was.
Moana is such an amazing character. She's brave; she is so empowered. She knows what she wants, and she's not afraid to get it, and I think that's something that I can relate to as well. I just love watching how she goes along in this wonderful movie and grows as a person and helps her culture along the way.
Godzilla's a monster for the '90s. He's been working out.
It wasn't the greatest script in the world, but not many people can say they've played a wicked king in a swashbuckling Arthurian special-effects monster movie.
People look at me as if I were some sort of monster, but I can't think why. In my macabre pictures, I have either been a monster-maker or a monster-destroyer, but never a monster. Actually, I'm a gentle fellow. Never harmed a fly. I love animals, and when I'm in the country I'm a keen bird-watcher.
Let's look different! I like monster movies, so why can't I have Godzilla's face on my boots?
I found a movie called “Light in the Piazza.” I finally made the movie with Olivia de Havilland and myself, but initially there was no way I could make that movie, so I went to work on becoming that character. They told me they had an Italian [actor], and I said, “That’s a Cuban boy!” His name was Tomas Milan. I thought that’s the craziest thing I’d ever heard: They have a Cuban who’s going to play an Italian, and I can’t play it because I’m an American.
It wasnt the greatest script in the world, but not many people can say theyve played a wicked king in a swashbuckling Arthurian special-effects monster movie.
American Graffiti was the first movie where the director let me have any input. It was the first time anyone ever listened to me. George thought my character should have a crew cut, but I wasn't happy with that idea. I'd always had pretty long hair back then - in college, particularly - so I told George my character should wear a cowboy hat. George thought about it and he remembered a bunch of guys from Modesto, California, who cruised around, like my character, and wore cowboy hats, so it turned out that it actually fit the movie.
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