A Quote by George A. Romero

I love 'Shaun of the Dead.' — © George A. Romero
I love 'Shaun of the Dead.'

Quote Topics

I'm very happy with the response for everything I've done, but, you know, sometimes you get things like, 'Oh, 'Spaced' Series One wasn't as good as 'Spaced' Series Two.' Or 'Shaun of the Dead' is not as good as 'Spaced,' or, 'Hot Fuzz' is not as good as 'Shaun.' Or, now, 'The World's End' is not 'Shaun of the Dead.'
In 'Shaun of the Dead,' it's not Shaun's fault that there's a zombie apocalypse - he just has to get through the day.
I found, after the experience of making 'Shaun Of The Dead' and then returning to the blank page - because 'Shaun Of The Dead' was the first screenplay I ever wrote properly - the experience of returning to the blank page and having nothing in the drawer was intensely painful.
I'm into 'The Walking Dead,' 'Shaun of the Dead,' obviously, and I've seen all the Romero movies. I am a classic zombie queen. And I love the White Walkers on 'Game of Thrones.' Weirdly, it wasn't until pretty late in life that I found my entry point into horror films.
One of my favorite comedies is 'Shaun of the Dead.'
The Shaun Ryder in the Happy Mondays isn't the real Shaun Ryder. It's a caricature. Always has been.
Even though I didn't write 'Shaun Of The Dead' and 'Hot Fuzz,' I never felt left out of the creative process.
When we made 'Shaun of the Dead,' it was our first feature, and we were just lucky to make a film, full stop.
I've only played two sort-of slackers, in Spaced and in Shaun Of The Dead. They're different people, but they have the same kind of everyman quality, particularly as a twentysomething.
I remember when we did 'Shaun of the Dead,' and when we were trying to get it off the ground in 2001 before we actually made it, a lot of people just didn't want to know.
When you're late in a fairy tale, people wind up dead. And not true-love's-kiss, glass-coffin-nap-time dead. Really dead, the kind of dead you don't recover from.
What 'Shaun of the Dead' and 'Hot Fuzz' and 'World's End' do is smuggle a different movie under the guise of a zombie movie or a cop or alien invasion movie. Even though they all have action and carnage, they are really films about growing up and taking responsibility.
We got offers to make sequels to both 'Shaun of the Dead' and 'Hot Fuzz,' and they never really interested us because we like having these endings where it seems very final but could hint at some kind of future adventure that you'll never see.
The problem with Hot Fuzz and Shaun of the Dead is that they worked brilliantly in the UK, the US, and Australia; internationally they haven't worked so well because people don't know the films as well as in the English speaking languages. So when it comes to putting the budgets together it's quite challenging. So those are the problems you have.
I just adored 'Shaun Of The Dead.' That's a true mashup. That's a real Romero-era zombie movie and a real Gen X indie comedy. That was before zombie movies were cool, before 'Zombieland' and 'I Am Legend,' and now it has become a whole sub-genre.
Women hope that the dead love may revive; but men know that of all dead things none are so past recall as a dead passion.
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