A Quote by George A. Romero

My zombie films were all sort of satirical, with political messages. So I was doing them inexpensively and quietly off in left field somewhere. — © George A. Romero
My zombie films were all sort of satirical, with political messages. So I was doing them inexpensively and quietly off in left field somewhere.
I'd never consciously left home to see a zombie movie. They were fine by me, but I had no intention of ever being in one. But I've been learning more about it as I've been doing interviews. I didn't even know there were specialist zombie magazines and clubs. I heard the other day that a radio station had asked people if they`d made preparations for an attack by zombies, and a staggering number of people replied yes!
The journalistic and political classes are very eager to borrow the cultural authority of comedians when it suits them, sending out gala invitations and posing for photos in hopes that a bit of that edgy satirical shine will rub off on them.
It's why I get miffed at all the dashing around in recent zombie films. It completely misses the point; transforms the threat to a straightforward physical danger from the zombies themselves, rather than our own inability to avoid them and these films are about us, not them. There's far more meat on the bones of the latter, far more juicy interpretation to get our teeth into. The first zombie is by comparison thin and one dimensional and ironically, it is down to all the exercise.
I think a captain is someone who captains on the cricket field but, most of the leadership that happens is off the cricket field. It's very easy to captain people on the cricket field, but if you can start leading them off the cricket field, and show them that trust, what you have in them.
To be honest, my friends weren't really as into making films as I was. But I convinced them all to make some zombie films with me.
The films that I loved growing up were the science fiction films from the late seventies and early eighties [films], which were more about the people and how they are affected by the environments that they are in. Whether they are sort of futuristic or alien of whatever they are; that was the science fiction that I loved. So that is what we tried to make, the sort of film that felt like those old films.
I'm not a guy who takes films for strong political messages.
You have some great films every year, but for the most part, no one is making films with heavy messages or themes. People are afraid of doing that.
There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those films.
Film work can be tedious and sort of all over the place, especially when you have a family and you're going off and doing things somewhere else.
The horror films that I've made have been satirical in one way or another or political, and I really think that's the purpose of horror. I don't see that happening very often.
There were always more Negroes in the field than there was Negroes in the house. The Negro in the field caught hell. He ate leftovers. In the house they ate high up on the hog. The Negro in the field didn't get nothing but what was left of the insides of the hog. They call 'em "chitt'lin'" nowadays. In those days they called them what they were: guts. That's what you were -- a gut-eater. And some of you all still gut-eaters.
People think that I have some idea about how I choose my films. I make sure that I am doing the kind of films that I want to watch. You hear so many stories, and one of them will stand out and connect to you somewhere.
I'm turning left. Look, everyone, my blinker is on, and I'm turning left. I am so happy to be alive, driving along, making a left turn. I'm serious. I am doing exactly what I want to be doing at this moment: existing on a Tuesday, going about my business, on my way somewhere, turning left.
I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
I love zombie films like Danny Boyle's '28 Days Later' - I thought it was so brilliantly done and so grounded in reality. I was definitely thrust into the zombie world watching that film.
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