A Quote by George A. Romero
I've only actually done one studio film. I want to be left alone.
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The folks who want to be left alone are the ones who actually get most of the work done, but they’re still mocked as drones or beavers or trolls. That’s bad enough, but now technology is helping the extroverts in their long twilight campaign against actually concentrating on anything.
I've never done a big studio film, I've only ever done little ones.
What is it that an artist does when he is left alone in his studio? My conclusion was that if I was an artist and I was in the studio, then everything I was doing in the studio should be art . . . . From that point on, art became more of an activity and less of a product.
When you write and direct your own film, you basically know exactly what you want. Or you hope to. For the studio, it actually can make life a little easier, because if you have a bunch of questions, they only need to call one person.
Bond is actually my dream role. Only because it was the film I watched with my grandfathers and father from a very young age, and it would be the only way that I could actually repay them with my art form for what they've done for me.
I never said, 'I want to be alone.' I only said, 'I want to be left alone.' There is all the difference.
Yes, you want to do studio movies, but I also want to grow as an actor, and an actress like me is not going to get roles where you grow and evolve in a studio film. It's just not gonna happen.
I only said, 'I want to be left alone.'
The only place I want to be recognised is the red carpet or an actor, where I am in my professional capacity. Otherwise I just want to be left alone.
It's a great privilege just to be in a film not because you're some packaging that some agent has done with the studio exec: "We need a John Travolta film."
I think the purpose of test screenings is different for the studio and for the filmmaker. For the studio, I think they want to know whether the film works or not.
On a studio film, you don't have to worry about running out of film or messing up your costumes; you have five other sets of it. Studio films make you the most comfortable so you can just act.
And a Famous Film Star who is left alone is more alone than any other person has ever been in the whole Histry of the World, because of the contrast to our normal enviromint.
We like the ambiance and atmosphere, and we felt really early that... I mean, of course, Air is an electronic band, but we are doing so many real recordings and the studio is so important for the sound. The acoustics create atmosphere and emotion. Also we want to be independent, we don't want to be obliged to go into a commercial studio and only stay one week because it's really expensive. We want to be able to give a chance to a song, and to spend a lot of time in the studio.
I don't know if anyone has noticed but I only ever write about one thing: being alone. The fear of being alone, the desire to not be alone, the attempts we make to find our person, to keep our person, to convince our person to not leave us alone, the joy of being with our person and thus no longer alone, the devastation of being left alone. The need to hear the words: You are not alone.
I'm from New York, and yet I've done only one film executive-produced by Spike Lee and have never done a film that Spike Lee directed. I've never done a film that Keenan Wayans has directed, or Bill Duke.
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