A Quote by George A. Romero

As movie monsters go, zombies are the most human. They were human at one time. So we are confronted with ourselves in a way, which is much more frightening and disturbing. — © George A. Romero
As movie monsters go, zombies are the most human. They were human at one time. So we are confronted with ourselves in a way, which is much more frightening and disturbing.
I think that the invasion of suburbia, our homes and our families, by this indefatigable, unstoppable force like zombies is frightening and personal. And it's so much more frightening than a national park like Disneyland being invaded by Martians. I think that's the enduring appeal of zombies.
Time is the most precious gift in our possession, for it is the most irrevocable. This is what makes it so disturbing to look back upon the time which we have lost. Time lost is time when we have not lived a full human life, time unenriched by experience, creative endeavor, enjoyment, and suffering. Time lost is time not filled, time left empty.
What children don't understand, and can't understand until they grow up some, is how much the whole fabric and process of human society depends on everybody agreeing to ignore, most of the time, the fact that all of us are, most of the time, inadequate, incompetent, pitiful, and, in fact, naked to our enemies. None of us really has very much in the way of spiritual, moral clothing. We dress ourselves in rags. And we agree to say nothing about it. To a very large extent, it is human charity that clothes us.
I think the fascination with zombies is that they don't obey the rules of monsters. The first rule of monsters is that you have to go find them. You have to make a conscious choice to go to the swamp or the desert or the abandoned summer camp.
We were proclaiming ourselves political hypocrites before the world, by thus fostering Human Slavery and proclaiming ourselves, at the same time, the sole friends of Human Freedom.
Cancer is a passport to intimacy. It is an invitation, maybe even a mandate, to enter the most vital arenas of human life, the most sensitive and the most frightening, the ones that we never want to go to - but when we do go there, we feel incredibly transformed.
Different ages have certain approaches, which may be more effective for one age and no longer effective in another age. The world that we live in now has much greater density to it; it is much more all-pervasive. And when I say "world," I include the human mind in it. The human mind has grown even since the time of the Buddha, 2,500 years ago. The human mind is more noisy and more all-pervasive, and the egos are bigger.
The imagination made us human, but being human, becoming more human, is a greater burden than we imagined. We have no choice but to imagine ourselves more human than we are.
Of all the intellectual hurdles which the human mind has confronted and has overcome in the last fifteen hundred years the one which seems to me to have been the most amazing in character and the most stupendous in the scope of its consequences is the one relating to the problem of motion.
Compassion- which means, literally, "to suffer with"- is the way to the truth that we are most ourselves, not when we differ from others, but when we are the same. Indeed the main spiritual question is not, "What difference do you make?" but "What do you have in common?" It is not "excelling" but "serving" that makes us most human. It is not proving ourselves to be better than others but confessing to be just like others that is the way to healing and reconciliation.
Poetry is emotion, passion, love, grief - everything that is human. It is not for zombies by zombies.
This, I believe, is the appropriate image of human intercourse -- appropriate because it recognizes the qualities, the diversities, and the proper relationships of human utterances. As civilized human beings, we are the inheritors, neither of an inquiry about ourselves and the world, nor of an accumulating body of information, but of a conversation, begun in the primeval forests and extended and made more articulate in the course of centuries. It is a conversation which goes on both in public and within each of ourselves.
Ive never been a big believer in ghosts or the spirit world, and for me, that was part of the point of the movie, ... What the Ghostbusters represented was the triumph of human courage and human ingenuity. People create their own monsters. Our fears come from within us, not outside.
Any time a black person has the audacity to tell everybody else that they're also human beings, they are confronted with all kinds of malice and violence and ill will. It's been that way since black people were brought to this country.
Britney's a very beautiful human being. After I worked with her, I realized that there was a reason why she was the most popular pop artist over so many other pop artists at that time who were more talented, had better voices. And it was because of her heart, her soulShe had the most amazing energy and was always positive and a very discreet person. We were young, too, and got to make a movie about three friends on a road trip. It was so much fun!
As technology evolves, it manipulates our culture, and there's a huge opportunity to push ourselves further. I think it actually makes ourselves maybe more human, or at least human in a different way, that we can connect together in amazingly different ways and powerful new ways.
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