A Quote by George A. Romero

I'm basically a fairly traditional filmmaker. — © George A. Romero
I'm basically a fairly traditional filmmaker.
I like for it to be mountain music or old-time country music or traditional bluegrass. Either one will fit me. It's traditional, basically.
I think as a filmmaker you try not to have any expectations other than that the film have a fairly substantial beginning, middle and end.
Trump's policies are a mix of fairly traditional things. Even his immigration stuff isn't really that new.
We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.
I'm a fairly traditional British cook, as my partner Cathy doesn't enjoy spicy food, although I like to experiment myself.
I basically think that I'm a fairly nice, normal person with just a few eccentricities.
Traditional charity is still fairly focused on how it makes donors feel as opposed to outcomes for people that need help.
Some black filmmakers will say, "I don't want to be considered a black filmmaker, I'm a filmmaker." I don't think that. I'm a black woman filmmaker.
I'm a film director. Gay is an adjective that I certainly am, but I don't know that it's my first one. I think if you're just a gay filmmaker, you get pigeonholed just like if you say I'm a black filmmaker, I'm a Spanish filmmaker, I'm a whatever.
Though it is fairly easy to describe what constitutes a bad home, there is no simple definition of a good one. Conformity with the traditional pattern certainly is no guarantee of the happiest results.
I had done six or eight traditional angel investments and basically just thought it sucked.
There's a substantial portion of my recorded repertoire that was learned for the recording sessions, and then basically forgotten. I wouldn't say it's the majority, but it's a fairly good chunk of it.
Basically, I learned to read by reading 'Peanuts,' just wanting to know what they were saying. I was 4 or 5 or whatever. I think it's a fairly common story.
The synth helped us in that it meant you didn't have to be a traditional four-piece band and basically, you didn't have to work too hard.
There's never been a civilization, ever in history, that has embraced homosexuality and turned away from traditional fidelity and traditional marriage, traditional child rearing, and has survived.
With filmmaking, I for so long was like, oh, I need permission to go out and be a director and be a filmmaker. And I read Robert Rodriguez's 'Rebel Without a Crew.' He just went out and did it, man. In his book, he even says just put your name on a business card and say you're a filmmaker. Congratulations, you're a filmmaker.
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