A Quote by George Eliot
Hostesses who entertain much must make up their parties as ministers make up their cabinets, on grounds other than personal liking.
Related Quotes
Everything in life is made up...You make up that you are happy. You make up that you are sad. You make up that you are in love. If you don't make up your own life, who's going to make it up for you? It's bad enough when you die and everybody can make up their own stories about you. —Mr. Hooft
I give up so much to do what I do. Like, I give up a personal life. I give up my friends, my family. I give up a lot of stuff to pursue what I love and to make my fans happy. I give up so much. So, I'm going to be the best.
Beauty is about perception, not about make-up. I think the beginning of all beauty is knowing and liking oneself. You can't put on make-up, or dress yourself, or do you hair with any sort of fun or joy if you're doing it from a position of correction.
Real and lasting generosity requires that a person do more than make up his mind to give. He must also make up his heart.
I found that if I got up on the stage to entertain the troops I could make them shut up and look.
Collaborations work when both or however many parties are the right people to be working together for whatever reason - whether it's two musicians or a musician and a filmmaker or a musician and a choreographer, if the combination is right, the possibility exists to make something greater than the individuals could make. But if the combination is wrong than you generally end up with a compromised piece is probably less than the individuals could make.
But HBO is less interested in how many people are watching than in how much the people who are watching are liking the show. They didn't set up their business model to make writers happy. It's just a nice unintended consequence.
The men and women who make up a plane's crew put their lives in jeopardy each time they fly. It's our job as much as anyone's to make sure we make it as safe as possible up there for them.
A catcher must want to catch. He must make up his mind that it isn't the terrible job it is painted, and that he isn't going to say every day, 'Why, oh why with so many other positions in baseball did I take up this one.'
I like to set up bars at my parties so people can make their own cocktails and mix and match and teach each other different things.
Before the fight I don't like to talk a lot of crap about my opponents, it's nothing personal, when it comes to interviews or anything like that. But once I get in there, I make it personal. This is my livelihood, my life is either going to go up or go down depending on what happens right here, so it's really personal. I make that guy my enemy.
I grew up not liking my father very much. I never saw him cry. But he must have. Everybody cries.
If a script comes together, and you end up liking the people who are part of it, that's when you can make magic happen. It's a huge combination of trying to find something you think you can deliver on and a director you think you can collaborate with to make a good picture.
Follow-up is personal. It must be done by someONE; not by someTHING. For it to be effective we must set the pace. We can't permanently sell something we don't make time to get into our lives.
I may go back and spice it up with a little bit of the tool stuff and grunting and all that that I know so well. But it feels like I'm rehashing old material. And some of my audiences like that. So I'm there to entertain. I'm not there to make a political statement or anything like that. I'm there to entertain.
The other thing is that when people mention computers - and I'm pretty much the same - they find it hard to comprehend that there's a performance there. They look at it as something that's just been made by a computer but in a way the difference is that when you make a normal film - and I'm simplifying it here - you put on the make-up and you put the scenery in before you start shooting, but with this you still perform in the same way but then you put the make-up on after, along with the costumes and scenery.
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