A Quote by George Lucas

If I'd have gone to art school, or stayed in anthropology, I probably would have ended up back in film ... Mostly I just followed my inner feelings and passions ... and kept going to where it got warmer and warmer, until it finally got hot ... Everybody has talent. It's just a matter of moving around until you've discovered what it is.
Everybody has talent, it's just a matter of moving around until you've discovered what it is.
Everybody has talent and it's just a matter of moving around until you've discovered what it is. A talent is a combination of something you love a great deal and something you can lose yourself in - something that you can start at 9 o'clock, look up from your work and it's 10 o'clock at night - and also something that you have a talent, not a talent for, but skills that you have a natural ability to do very well. And usually those two things go together.
I felt like I'd been swimming so hard, and the water growing warmer and warmer the closer I got to the top. I wasn't there yet, but now I could see the surface, rippling just beyond my fingers.
I kept extensions in until I finished high school. Although, once I got to college, that's when it all started to shift. I think it was just growing up and moving to New York, where I saw so many different people, vibes, and looks, and everyone really owned it. That led me to feel more free, take more risks, and go back into my natural hair.
For me, so much of my life has been this attempt to find my way back into my body. I tried various forms, from promiscuity, to eating disorders, to performance art. And I think it wasn't until I got cancer, where I was suddenly being pricked and ported and chemoed and operated on, that I suddenly just became body. I was just a body. And it was in that, in that finally landing in myself that I really discovered the world in my body.
I just thought everybody lived around abandoned buildings and crack-heads, ... I lived in the ghetto until I was like 19. I came to Los Angeles, stayed at hotels and stuff. When I got back and I saw what my neighborhood looked like, I started getting scared.
No one could tell you: you just had to go through it on your own. If you were lucky, you came out on the other side and understood. If you didn't, you kept getting thrust back, retracing those steps, until you finally got it right.
I would really hope this would make people see the short story as an important art, not just something you played around with until you got a novel.
Some friends and I, we went right up there behind the studio and we got on a train, we could tell it was going to go to Roseville. We got off it and got on another train. And we got to Roseville, and it takes hours to get through that yard. It's really big. So we ended up just coming back here. It's like fishing or hunting. You can't always come back with something.
Everything in 'Satya' was by chance. It was a film which just started evolving by itself. I just went mostly by instinct and kept on improvising on location, and the film just got made itself.
'The Underland Chronicles' is an unnecessary war for a very long time until it becomes a necessary war, because there have been all these points where people could have gotten off the train but they didn't; they just kept moving the violence forward until it's gone out of control.
I suppose they think me an old man and imagine it is nothing for one like me to resign a life so full of trials. But I am not old - at least in that sense; you know I am not. Oh, no man ever left the world with more inviting prospects, with brighter hopes, or warmer feelings - warmer feelings.
I ended up in college by accident. Everything in my life, I ended up in by accident. I was down south in this high school doing whatever. It could just not contain me. I quit school and took off and traveled around. Nobody knew where I was I just couldn't handle it anymore. It was a big scandal, I was gone. I left.
From a young age, I wanted to play in the NBA. Oh well... It was when I was a senior in college that I fell for film, but even then, it wasn't documentaries. It wasn't until I ended up in graduate school at Southern Illinois University that I really discovered documentaries and thought that maybe that would be my calling.
Abraham wasn't perfect. He failed, made mistakes. But, he would go back, get right with God, and then just keep moving forward. He didn't quit when things got hard. He just kept on going. And everywhere he went, God was there. God was with him.
I was always screwing around with music, but I really wanted to go to film school when I was in high school. I guess what happened was that I didn't get into Tisch, that's what happened. I got deferred. And I went to Hampsire and ended up making music like everybody else there.
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