A Quote by George Lucas
Emotionally involving the audience is easy. Anybody can do it blindfolded: get a little kitten and have some guy wring its neck.
Related Quotes
The neighborhood children, of course, were forbidden by their parents to play with my little boy, Garth, so I finally got him a little kitten to play with. A couple of weeks later we found it on the porch with its neck wrung.
Batman and Blade were probably about neck-and-neck for me. If it was anything involving those two characters, I was there, man.
I love being out there. as an audience member. It gives the audience a little bit of something different. Like, why are these wrestlers sitting in the audience? And why are they heckling at this guy and that guy?
Take eloquence and wring its neck.
Actors are like kids, they need to play a little bit. And that's the nature of their job, they need to shake off some energy and then you as the director get them back on track. When you do loosen up the reins, you get some amazing things, but you have to wring out the performances for every last good drop.
I love a confident guy and a guy that makes me laugh and who is a little hard to get. Don't be too easy.
Can you design a Rorschach test that's going to make everyone feel something every time - and that looks like a Rorschach test? It's easy to show a picture of a kitten or a car accident. The question is, how abstract can you get and still get the audience to feel something when they don't know what's happening to them?
If you're playing a good guy, you show some darkness. If you're playing a dark guy, you show something different, like humor, that will mix it up and hopefully surpass the audience's expectations. What I'm battling all the time is complacency in the audience. I try to bring a little mystery to what might happen because that engages people more.
You're your first best audience, long before anybody else hears you. So don't be an easy audience. Keep asking for more.
'Ape House' is an ambitious novel in several ways, for which it is to be admired, and it is certainly an easy read, but because Gruen is not quite prepared for the philosophical implications of her subject, it is not as deeply involving emotionally or as interesting thematically as it could be.
At exhibition openings always praise the chicken for laying eggs; you can wring its neck later.
If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.
Caroline, do you value your neck?" "Yes, I'm rather fond of it. Why?" "Because if you don't shut up, I'm going to wring it.
Well, when I was a little girl we had 17 cats once. They all lived outside, and they kept having more kittens. My mom made us put little ribbons around each kitten's neck, put them in a wagon, and go door-to-door around the neighborhood to try to give them away.
It was as though our love were a small creature caught in a trap and bleeding to death: I had to shut my eyes and wring its neck.
Theater is an engagement between the actor and the audience. Film is a different sort of medium. It's not immediate, but in some ways it's more involving.
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