A Quote by George Lucas
I think crossing into the digital age is the big move for the industry. I think it will be the biggest thing that's happened while I've been making movies. I equate it to the invention of color or sound, and I don't see any other major technical process coming along and changing that.
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One of the problems with episodic television of any color is that everything has got to be okay at the end of the episode so it can start again next week. So the events that occur are rarely life-changing. But with film, you can say that this thing only happened once; this is a major thing that happened to these people.
There will always be big companies making big movies. But making film and distribution is changing in front of our eyes. I'm not sure what the future holds for this industry.
I think that there have definitely been points when I've had to fight to move my career in a different direction. I think, 2012, I did a few movies that touched on a darker side, and those are movies I'd been wanting to make and stories I'd been wanting to tell for a while. So I think it definitely takes work to move genres.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
Think before you speak. Read before you think. This will give you something to think about that you didn't make up yourself - a wise move at any age, but most especially at seventeen, when you are in the greatest danger of coming to annoying conclusions.
The most difficult thing has definitely been movies. From a comedian's standpoint, you think being real big is the best thing, but with movies, the screen is huge, you're big anyway! Also, coming from a TV personality - MTV was all about high energy and selling the hottest video - I had to learn to [take it down]. A lot of characters I'm playing are not necessarily that kind of guy.
The biggest problem in countries that don't have a tradition in animation or a film industry, is that precisely, that it's not an industrial activity as it is in Hollywood where there are clear production procedures. Because of this we all become snipers making our films any way we can and crossing our fingers to get distribution so people can see them.
One of the main things I look for in a guitarist is in the sound itself. I go for a certain sound, and I think it's an important thing for making a player more identifiable in the big giant pool of musicians out there. You want a sound that people will recognise just as much as your playing.
I think my TV show is gonna be my big thing, so I'm pretty focused on that, and I think doing that will lead to all of the other opportunities I want, to jump to movies and other stuff, but it starts with that.
Everything's changed. The technology is the big thing changing now, the way movies like 'Alice' or 'Avatar' are made. And technology on the other side, the audience side. Word spreads so fast now on a movie, with the Internet, and piracy is something coming down the line like in the music industry.
Work outside of school hours was a necessity at an early age, and with such time as I had I turned toward interests of my own devising, making things, experimenting, and planning for the future. I had read of Thomas Alva Edison and other successful inventors, and the idea of making an invention appealed to me as one of the few available means to accomplish a change in one's economic status, while at the same time bringing to focus my interest in technical things and making it possible to make a contribution to society as well.
I think that there's room to grow, as far as being a person of color in film. I went to the theater the other day, and there's a whole bunch of Valentine's Day movies coming out. And the only ones that you see a lot of us in are us goofing off and clowning around; it's this kind of pseudo-romantic comedy kind of thing.
I'm not a big fan of CGI. When I look at it, I go: 'Wait a minute. That's not possible.' And I think other people see the same thing. The movies I worked on, we did stunts for real. And I think it shows.
Now while the German money is over for Hollywood, I still have $80 million to make movies, and we will have two things coming up: less major movies and the price for actors will go down.
I suppose I have stopped modeling officially. I've not done any for a good long while now. I think it was four years ago when my feelings were changing towards the industry. I didn't hate it, but I was yearning to do something different. I was on a gradient. It was a gradual thing.
Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.
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