A Quote by George Lucas

'American Graffiti' was unpleasant because of the fact that there was no money, no time, and I was compromising myself to death. — © George Lucas
'American Graffiti' was unpleasant because of the fact that there was no money, no time, and I was compromising myself to death.
Graffiti is art, but you don't see graffiti in the National Gallery. Graffiti is on the street - that's where it belongs.
Obviously my own work comes from a conceptual art tradition, but I love the graffiti artists, and I feel spiritually closer to them than to most contemporary art; they make the city a free space of diverse voices and we shouldn't get all cynical about them just because Banksy made some money. I collaborate sometimes with Krae, who is an old school east London graffiti writer.
I was a banker in Morocco when I first saw 'American Graffiti.' It was before I was an actor, a melancholy time in my life, and this mood was reflected in the film.
Traditional graffiti writers have a bunch of rules they like to stick to, and good luck to them, but I didn't become a graffiti artist so I could have somebody else tell me what to do. If you're the type who gets sentimental about people scribbling over your stuff, I suggest graffiti is probably not the right hobby for you.
I love graffiti because it enables kids from every social extraction to do something that brings them closer to art, when they normally wouldn't be stimulated to be visually creative. Graffiti helps to develop an awareness of immediate expressive and uncontrolled freedom.
I can tell you that too much money is corrupting American politics. Don't blame the American public. The U.S. Supreme Court has a lot to answer for, because it has made it impossible for Congress to reduce the corrupting influence of money on American political life.
As a matter of fact, that was a bit of a problem for me at the beginning of my career - the problem of identification. In The Conversation I played a character who was gay, so nobody recognised me from American Graffiti. When I did Apocalypse Now, after Star Wars, I played an intelligence officer of the American army. George Lucas saw the footage I had done and didn't recognise me until halfway through the scene.
I work because I enjoy what I'm doing, and the fact that I make money at it - big money - is a fine-and-dandy side fact.
There's no reason not to be in television now. You get to live at home and you're not on the road all the time, they pay you decent money, and the writing's good. You're not compromising for it, you know.
I wanted to be in my daughter's life, and I decided I didn't want to do music anymore because I was compromising myself too much and I wasn't loving what I was doing.
The living all find death unpleasant; men mourn over it. And yet, what is death, but the unbending of the bow and its return to its case?
I would consider myself American in the way of what the actual idea that's in the Constitution is, not the way that it's performed: All men are created equal, freedom for all, that's something that I obviously believe in. I don't consider myself American because I'm not sure if those are the values that we actually prioritize as much as we need to, but I consider myself American if you look at the Constitution.
Graffiti is only dangerous in the mind of three types of people; politicians, advertising executives and graffiti writers.
I did an art show for Donald Trump at his house in Palm Beach, Florida. It was a bunch of pop art and stuff like that, so I wasn't doing any graffiti at that time, so I'd say from about 2000 to 2006, I wasn't doing any graffiti.
Before me now there is only one real fact -- Death. The truth I have been seeking -- this truth is Death. Yet Death is also a seeker. Forever seeking me. So -- we have met at last. And I am prepared. I am at peace. Because I will conquer death with death.
Money is a great isolator. In fact, we don't even need to have money or make money, we only need to be perceived as having money to be isolated in the strangest ways from most of the community around us. It reaches the point where a person with money spends a great deal of time reacting to people who are reacting to the money.
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