A Quote by George Lucas
For 'Star Wars' I had to develop a whole new idea about special effects to give it the kind of kinetic energy I was looking for. I did it with motion-control photography.
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I rewatched a lot of 'Star Wars' when I did 'Rogue One,' and the thing I learned was that as a young person, consuming 'Star Wars' at the level that I consumed 'Star Wars,' it kind of molds your visual psyche, so you see the world in 'Star Wars'-ian fashion.
In terms of the film itself, there was nothing much very new about 'Star Wars.' 'Star Wars' was a trailblazer for the kind of monumentalist pastiche which has become standard in a homogeneous Hollywood blockbuster culture that, perhaps more than any other film, 'Star Wars' played a role in inventing.
Every 'Star Wars' film was about pushing what was possible in terms of effects, puppets, matte paintings, stop motion and, now, digitally.
To me the biggest breakthrough was when we did Terminator 2 that just opened the door for Jurassic and all of the others and that was as big as when we did motion control on Star Wars. But I don't see another big thing coming.
I had this project called 'Ruin' in my head for six years or so. This really big, really ambitious sci-fi thing. It's kind of my 'Star Wars'. I'm trying to achieve what 'Star Wars' did for me as a kid.
Filmmakers began to experiment with special effects almost as soon as motion pictures were invented. The history of special effects is the history of motion pictures.
I always say that 'Star Wars' had a huge effect on me, too, but what 'Star Wars' did for some people, 'Superman' did for me.
I was one of the few people who thought Star Wars was going to work, and I hadn't even seen any special effects.
Whether it's the experiments on 'MythBusters' or my earlier work in special effects for movies, I've regularly had to do things that were never done before, from designing complex motion-control rigs to figuring out how to animate chocolate.
Obi-Wan understands that the best thing he can do is contribute something positive to the world around him and then to leave. And if he does that, he will in some ways live forever because the good influence of what he did will be felt. It may sound corny but that's kind of the way I feel about contributing to Star Wars characters. It isn't about me. It's about the story. It's about the mythology of Star Wars and the moral implications of that mythology.
I talked to George Lucas once, not about Star Wars. Everyone wants to talk to him about Star Wars, and I didn't want to be one of those people. In person - at least on this occasion - he wasn't effervescent and giddy, as the Star Wars movies are. He's more focused.
My friends and family are not really fixated on the specifics of 'Star Wars.' My parents don't know anything about 'Star Wars.' They've never watched a 'Star Wars' film.
Take away the robots and the special effects, and Star Wars is just the simple story of a group of friends planning a terrorist attack.
I remember being fascinated by the graduated sizes and perspective on the sets [of Star Wars]. And how they put shorter people and kids in the uniforms and placed them in the distance to give the idea that these sets had more depth than they really did.
We've kind of grown up in a post-Star Wars era, and what Star Wars did to cinema, in terms of an explosion of that kind of blockbuster culture. It's thrown up a generation of geeks. With the evolution of computer games and the Internet, that's all impacted on us as a generation, and affected the creative element of that generation enormously. So whereas the different schools of filmmaking...
I think everybody should see ('The Star Wars Holiday Special') to realize how bad something can be. There are some cool things in there, but it's two hours long, and you could probably cut it down to about two minutes and twelve seconds of cool material. The animated Boba Fett sequence is great, and there's some cool stuff, but overall, the whole format of a variety show in the 'Star Wars' universe is just a train wreck.
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