A Quote by George Sarton
The Hellenistic world was international to a degree, polyglot and inspired by many religious faiths. ...the Greek ideals were pagan and the Hellenistic age witnessed their death struggle against Asiatic and Egyptian mysteries , on the one side, and against Judaism , on the other.
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We don't know how Cleopatra spent her days, but we do know how other Hellenistic monarchs spent their days. There has been a great amount of scholarship in the last 30 years about education in the Hellenistic world and women in the Hellenistic world. We now know how an upper-class woman was educated in her day.
The world is in a constant conspiracy against the brave. It's the age-old struggle: the roar of the crowd on the one side, and the voice of your conscience on the other.
The fight against terrorism is an international struggle of the free world against the forces of darkness.
To write or even speak English is not a science but an art. There are no reliable words. Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up.
Lately, I've discovered the Hellenistic bronzes. I'd never really thought about them much, but then there was this marvelous exhibition - many of them Roman, some of them Greek, all kinds of wonderful standing figures or heads or horses. It all suddenly became a passion of mine. I finally got to see that exhibition, which led to the idea of bringing up the statue in the film.
Pergamon, a prosperous city in western Anatolia, was fabled to have been founded by Hercules' son. Like many Hellenistic cities populated by Greeks who intermarried with indigenous people, Pergamon after Alexander the Great's death (323 B.C.) had evolved a hybrid of democracy and Persian-influenced monarchy.
To put it in a nutshell, the Central and South American high cultures of antiquity were entirely worthy of comparison with what the Old World had achieved by the time of the Han, the Gupta, and the Hellenistic age. The fact is that the Amerindian high cultures were a human modality of their own, and those Spaniards who came among them first would have had the sensation, if they had ever heard of such literature, of treading in a world of imaginative science fiction. But it was real, and the Amerindian achievements deserve all our sympathy and praise.
The only struggle which religions can justify, the only struggle worthy of humans, is the moral struggle against humanity's own disordered passions, against every kind of selfishness, against attempts to oppress others, against every type of hatred and violence.
Marxism is now a world faith and must be allowed to enter into a continuous dialogue with other world faiths, including religious faiths
I'm very inspired by personal transformation. I'm so inspired when people who have been living with or struggling against significant obstacles break through and reach the other side of that challenge victoriously.
The bicycle had, and still has, a humane, almost classical moderation in the kind of pleasure it offers. It is the kind of machine that a Hellenistic Greek might have invented and ridden. It does no violence to our normal reactions: It does not pretend to free us from our normal environment.
There are some who support us and others who are on the other side. They bow to pressure from the international community. But there is no reason for any of them to be against our Palestinian concerns. We don't interfere in any of the domestic policies of other countries. We are a national movement and we are concentrating on our conflict and the battle against the Israeli occupation.
We struggle against easel painting not because it is an aesthetic form of painting, but because it is not modern, for it does not succeed in bringing out the technical side, it is a redundant, exclusive art, and cannot be of any use to the masses. Hence we are struggling not against painting but against photography carried out as if it were an etching, a drawing, a picture in sepia or watercolor.
I like both Greek and Egyptian. More Greek stories have survived, so we know more about them. They've always been my favorite. On the other hand, I like the Egyptian stories because they're not as commonly known and they have an exotic flavour.
A history-stopping archetype is being released into the skies of this planet, and if we are not careful it will halt all intellectual inquiry in the same way that the Christos archetype halted intellectual inquiry in the Hellenistic Age.
The death of Pope John Paul II led many of different faiths and of no faith to acknowledge their debt to the Roman Catholic Church for holding on to absolutes that the rest of us can measure ourselves against.
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