A Quote by Georges Bataille
We want to decipher skies and paintings, go behind these starry backgrounds or these painted canvases and, like kids trying to find a gap in a fence, try to look through the cracks in the world.
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Oh, give me land, lots of land under starry skies above. Don't fence me in. Let me ride through the wide open country that I love Don't fence me in Let me be by myself in the evenin' breeze And listen to the murmur of the cottonwood trees Send me off forever but I ask you please Don't fence me in
Regardless of how you feel inside, always try to look like a winner. Even if you are behind, a sustained look of control and confidence can give you a mental edge that results in victory. - Diane Arbus By letting it go it all gets done. The world is won by those who let it go. But when you try and try. The world is beyond the winning.
People often tell me how much they love the digital skies that we obviously painted for 'War Horse.' Well, there's not a single sky that we put in through special effects. The skies you see in the movie are the skies that we experienced - but it was definitely challenging at times.
A photo is like a map, a way of giving me a foot into a kind of reality I want... I'm not trying to make paintings look like photos. I want to make paintings using photos as a reference, the way painters did when photography was first invented.
The spot paintings and spin paintings were trying to find mechanical ways to make paintings.
Let's look at people as artists and try to support them; just because Picasso painted a couple of bad paintings, that's no reason to say he's a lousy painter.
If knowledge isn't self-knowledge it isn't doing much, mate. Is the universe expanding? Is it contracting? Is it standing on one leg and singing 'When Father Painted the Parlour'? Leave me out. I can expand my universe without you. 'She walks into beauty, like the night of cloudless climes and starry skies, and all that's best of dark and bright meet in her aspect and her eyes.
I always try and find a purpose in what I am doing - even when it comes to wrestling... when I go into a wrestling match I'm trying to find a purpose for why I want to win. Through that, it brings happiness.
I think I just want to focus on being the best player that I can be and being the best role model that I can be by just doing all the right things, not just for black kids or kids from different backgrounds, but for all kids who play the game. You want them to look at you in a positive light.
Every single painting is different. I'm always trying to figure out what I'm interested in. Usually when I go through and I make the collages or the images for ideas that I want to paint, it's like an Ouija board. Each painting I do is trying to understand what the hell I'm looking at, or want to look at.
I sort of feel that the role of a portrait in society is to represent the sitters, we see paintings of Shakespeare and we believe that it is what he looked like, well maybe a little older, fatter and with a higher hairline. I guess it would be cool if the portraits that were painted really did look like the sitter or expressed some sort of emotion that gave the viewers in the future a sense of the sitter's pathos at the time it was painted.
I want the kids who watch 'One Tree Hill' to know that it's all pretend, and that the person at the core of that character values morals, honor and things like that. You want to inspire them to look beyond what is superficial and try to find that greater thing.
Beware of the gap: the gap between where you are and where you want to be. Simply thinking of the gap widens it, and you end up falling through.
My concern for education in New Mexico has always been there. I'm one of those kids that struggled through school, and I feel like I fell through the cracks.
As a father, you find yourself telling this to your kids a lot. My son, when he didn't want to play baseball, I was like, "Buddy, try it. Try playing baseball and if you don't like it, that's fine. But I want you to try it. I want you to try as hard as you can at it. And then we'll talk about it." You kind of have to give yourself the same pep talk. As a 43-year-old, you're like, "You know what? Just, try it. Try as hard as you can, give it everything you got and then accept the results."
I began to paint again, even though I could barely hold the brush, but knowing exactly what I wanted to paint, I began three more large canvases... of large wheat fields under cloudy skies, and it did not take a great deal to express sadness and loneliness... I believe these paintings say what words cannot.
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