A Quote by Georges Bernanos
Hell, madame, is to love no longer.
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Flaubert's famous sentence, "Madame Bovary, c'est moi" ("Madame Bovary, she is me"), in reality means, " Madame Bovary, c'est nous" ("Madame Bovary, she is us"), in our modern incapacity to live a "good-enough" life.
And what have you laymen made of hell? A kind of penal servitude for eternity, on the lines of your convict prisons on earth, to which you condemn in advance all the wretched felons your police have hunted from the beginning - enemies of society, as you call them. You're kind enough to include the blasphemers and the profane. What proud or reasonable man could stomach such a notion of God's justice? And when you find that notion inconvenient it's easy enough for you to put it on one side. Hell is not to love any more, Madame. Not to love any more!
Madame Lefoux accepted a cup of tea and sat on another little settee, next to the relocated calico cat. The cat clearly believed Madame Lefoux was there to provide chin scratches. Madame Lefoux provided.
Hell, madam, is to love no longer.
Through humility, soul-searching, and prayerful contemplation we have gained a new understanding of certain dogmas. The church no longer believes in a literal hell where people suffer. This doctrine is incompatible with the infinite love of God. God is not a judge but a friend and a lover of humanity. God seeks not to condemn but only to embrace. Like the fable of Adam and Eve, we see hell as a literary device. Hell is merely a metaphor for the isolated soul, which like all souls ultimately will be united in love with God.
The feminine graces of Madame de Sevigne's genius are exquisitely charming; but the philosophy and eloquence of Madame de Stael are above the distinction of sex.
What is hell?...The suffering that comes from the consciousness that one is no longer able to love.
It is love itself that is important -- the ability to love, no matter whom you love. For when you can no longer love anyone, you are no longer a living person. The heart dies if it loses the capacity to love.
I'm a big fan of Edouard Vuillard, so I'd like anything by him - particularly a painting called 'Madame Hessel on the Sofa.' His work is realistic without being literal: I can really imagine what Madame Hessel is thinking.
People who have intended and loved what is evil in the world intend and love what is evil in the other life, and then they no longer allow themselves to be led away from it. This is why people who are absorbed in evil are connected to hell and actually are there in spirit; and after death they crave above all to be where their evil is. So after death, it is we, not the Lord, who cast ourselves into hell.
Then stay with me a little longer,' Madame Olenska said in a low tone, just touching his knee with her plumed fan. It was the lightest touch, but it thrilled him like a caress.
The French no longer respect their language, because they no longer love themselves, and, no longer loving themselves, they no longer love what was the instrument of their glory - their language.
In this country, don't forget, a habit is no damn private hell. There's no solitary confinement outside of jail. A habit is hell for those you love. And in this country it's the worst kind of hell for those who love you.
The most terrible things men do, they do in the name of love."— Madame Dorothea
One day I decided I would like to put a record into my system. So I picked up a record that was lying on the table, and put it on. I didn't bother to look at what it was because I didn't care, and it turned out to be Madame Butterfly. So I processed the aria from Madame Butterfly in my system and I played with it.
And indeed when we are no longer in love with women whom we meet after many years, is there not the abyss of death between them and ourselves, just as much as if they were no longer of this world, since the fact that we are no longer in love makes the people that they were or the person that we were then as good as dead?
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