A Quote by Gia Coppola

I wanted to be a ballet dancer. I was bad - I'm not very coordinated. But I always wished I could have been a dancer. — © Gia Coppola
I wanted to be a ballet dancer. I was bad - I'm not very coordinated. But I always wished I could have been a dancer.
I actually was a ballet dancer - I studied ballet from three until 13 - but like very seriously, that's what I wanted to do. I wanted to be a contemporary ballet dancer. I wanted to go to Juilliard.
I originally wanted to be a ballet dancer and trained for years, but when I was around 18, I realized I wasn't going to be as good a ballet dancer as I'd hoped I'd be and decided to become an actress instead.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
I've never danced professionally as a ballet dancer, but all of my training is ballet, and I am a Fosse dancer.
I always wanted to be a dancer. I danced for maybe 16 years. So I would have loved to have been a dancer in the past.
I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.
I went away when I was 9 to a ballet school. I thought I wanted to be a dancer, but eight years of ballet cured me of that.
I really developed an early love for ballet. Like most dancers, I am still 'first' a dancer. I'm very proud of it. Once you are a dancer, the physicality never leaves you, nor does the strength. Hopefully, it keeps you like an athlete.
If I had an extra 20 or 50 years physically, I could have been the dancer of my dreams. But I never became that dancer.
What I found interesting in dance is the idea that my work has always been dealing with the nervousness between the human subject as a subject and the human subject as a form. And if you look at my dance films, there are always these cuts between the dancer as a form, the dancer as a subject, and this kind of very harsh treatment of the dancer as someone who's actually drawing with their body.
When I was very young I wanted to be an opera singer, a ballet dancer... The people I loved were a little different.
Since I was a kid, I've been a dancer, and, of course, I'll always be a dancer till the day I die.
There was never really a moment that I decided that I wanted to be a ballet dancer. It's always just felt like it's what I was meant to do.
I grew up going to see my sister dance, both at the ballet and later as a modern dancer, and have always been a big fan of the ballet. So I have had a long relationship with dance.
I wanted to be a male ballet dancer.
I feel like I represent every young dancer, and even non-dancer, who felt they were not accepted by the ballet world. I'd like to think that they can see themselves in me.
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