A Quote by Gia Coppola

I'm not so vocal. I try to get loud, but my voice will just crack or something. — © Gia Coppola
I'm not so vocal. I try to get loud, but my voice will just crack or something.
It [my vocal] didn't sound like what I wanted to hear; the vibrato isn't what I liked anymore. So I got myself to an ear, nose and throat guy who does a lot of work with singers, and I was hoping there was a big wart on my vocal cords or something and they could scrape it off and I could have the voice I wanted. But he said, "No, for 71, that's your voice."
When I get recognized for 'Twilight,' it's usually a teenage girl, and they're usually really loud. So it certainly feels like I get recognized the most from that, but it could just be because of the nature of how vocal those fans are.
Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. OK? We don't do crack. We don't do that. Crack is whack.
There's something about when it gives a shockingly incorrect answer with the same chirpy HAL 9000 voice that feels so hopeful. Watson won't get discouraged, it will just try again.
I've watched and learnt from DJs and remixers and paid way more attention to how I want my voice to sound. Before, as long as it was loud and in tune it was fine. I've discovered the difference made by various microphones and effects, so each track has a different vocal sound, my voice is woven into everything and it's above everything.
When I come off stage, I just shut up. I try as best I can not to use my voice at all. You know I love to talk, but I try when I come off stage to have the minimum amount of vocal interaction because I need at least a good 10 hours to just recover from my form of extreme singing.
Just every day try to be a leader, try to get better and to help my team win. I just want to be more vocal, like talk more so my teammates can know I got their back.
Just the way my voice sounds now, it's always had this little hoarse thing to it. And I'd have to do vocal exercises to make my voice clear.
He took a long drink, then grimaced. “I do not have a drinking problem,” he announced, his voice needlessly loud. “I have a Churchillian relationship with alcohol: I can crack jokes and govern England and do anything I want to do. Except not drink.
I had a real stage school voice and I could do loud things, but it's not about being loud, it's about sensitivity and subtlety in music. You can do so much more with a quiet voice than with a belter.
It's an absolute blast to be a voice actor, but also kinda scary that the vocal baby you just birthed out at a mic is then taken by other folks and becomes something else.
But what I would like to say is that the spiritual life is a life in which you gradually learn to listen to a voice that says something else, that says, "You are the beloved and on you my favour rests."... I want you to hear that voice. It is not a very loud voice because it is an intimate voice. It comes from a very deep place. It is soft and gentle. I want you to gradually hear that voice. We both have to hear that voice and to claim for ourselves that that voice speaks the truth, our truth. It tells us who we are.
I have a whole regimen to my day: my vocal warm-ups, my prayers, my meditations... I pray three times a day. I try to have a real experience praying, not just do it. I really get deep into the idea and really try to get somewhere with it, to have an in-depth understanding of the idea.
I speak in a loud, clear voice and try not to bump into the furniture.
I had really bad polyps on my vocal cords, and I've had them since I was a kid, but the bulimia made it 10 times worse. They were bleeding constantly, and it was straining on my voice. And just the lack of nutrition - my vocal cords couldn't keep up because I was so unhealthy.
The secret of my success? I speak in a loud clear voice and try not to bump into the furniture.
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