A Quote by Gia Coppola
Visually, I love the setting of suburbia.
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I'm Jewish, and my family is Jewish. I was very interested in Woody Allen when I was growing up, but I don't think of myself as a Jewish writer. I'm more from suburbia, American suburbia. I'm more from the '70s than I am from Judaism.
Consider how badly-built suburbia is. Many business buildings are not designed to outlast their tax depreciation periods, and the McHouses are made of particle board, vinyl siding, and stapled-on trim. A lot of suburbia will simply become the slums of the future. Most of the rest will be salvage or ruins.
[Suburbia] represents, after all, the greatest misallocation of resources in the history of the world. We built it during our most affluent period of history, and in the decades to come we will be comparatively destitute collectively. In short, we will not have the resources to retrofit most of suburbia.
The love we most cherish will, of necessity, bring us pain. Because that love is like the setting of a body with broken bones. But I want to stage the setting. I want to direct all scenes.
What I want to do is tell stories about normal people in the American suburbs. I don't write the book where it's a conspiracy reaching the prime minister; I don't write the book with the big serial killer who lops off heads. My setting is a very placid pool of suburbia, family life. And within that I can make pretty big splashes.
We exist because of suburbia. Suburbia is a freak’s dreamworld, a world of extra rooms upstairs and long, lazy afternoons with no interference. A place where you can listen to your LPs for hours on end. You can live in your room, your own rent-free corner of the universe, and create a world of pleasure and interest entirely centered on yourself and your interior aesthetic and logic.
I've always been a bit of a decorator. I think if I wasn't a singer I'd probably be in stage setting or interior design or something. I like clutter and I'm quite visually greedy. I can't have things to be plain; I have to have things looking interesting maybe I'm just a frustrated interior designer stuck in a singing career.
I've always been a bit of a decorator. I think if I wasn't a singer I'd probably be in stage setting or interior design or something. I like clutter and I'm quite visually greedy. I can't have things to be plain; I have to have things looking interesting... maybe I'm just a frustrated interior designer stuck in a singing career.
The public/private partnerships are taking various forms in India. It is individuals who are socially oriented are setting up schools. They're setting up colleges. They're setting up universities. They're setting up primary-education schools in the villages, particularly the villages their original families came from.
As children, as we learn what things are, we are slowly learning to dismiss them visually. As adults, entirely submerged in words and concepts, we spend almost all of our time thinking and worrying about the past and the future, hardly ever looking at or engaging with the world visually.
I like setting up problems for the viewer, like how do you visually deal with a ring when what’s usually in the center of a painting is very important? It's like the main course isn't there and you're having to deal with everything around what would normally be the main course.
I love being able to tell a story visually. It's something I love about making commercials, where you put a magnifying glass over the mundane and make it feel extraordinary.
I love burlesque. I'm a decent aerialist. I think I set myself apart visually.
I love to tell stories and I love to work with directors and I think I write really visually, which I think directors like, and I love making movies, so I found something that I'm good at and I'm really happy doing.
Although goal setting can clearly be overdone, only a few people are overly involved with goals and goal setting; most people do far too little goal setting, including the reflecting that precedes the setting of such goals. Too many marriages have financial goals but not other explicit goals. Yet the gospel is certainly goal-oriented.
Guys like Spielberg and Zemeckis and really anybody who is a storyteller-filmmaker today has studied Hitchcock and the way he visually tells a story. He was the master of suspense, certainly, but visually you would get a lot of information from what he would do with the camera and what he would allow you to see as the story was unfolding.
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