A Quote by Gia Coppola
Most movies use older actors, but I thought, if I could just put kids on camera and get them to be themselves, what could be easier?
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I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
I got on Twitter because it was a way to express guitar and surfing, and who I was, but now - it's still fun, and I can do that - but I think it's more of a business. I thought it was a personal thing that actors could do themselves, but now it's become a tool that studios are trying to use to sell their movies.
It's really hard for actors to cross over and get any respect as a singer, and if I could just keep it separate and not use my music in movies, it's cool.
When I was a kid, I didn't know Canadians could be actors. I thought just Americans could get acting jobs.
The thing I was up against in documentary films - was trying to get non-actors to convincingly play themselves in a way I'd come to know before the camera started rolling. And many non-actors can't do that convincingly, even if they just have to play themselves - they can't be naturalistic. And I would always want to recreate something I'd witnessed them do or say, and it just would be incredibly difficult because of the fact they weren't actors.
I realized all of the possibilities that could exist for me with my camera: all of the images that I could capture, all of the lives I could enter, all of the people I could meet and how much I could learn from them.
I don't see many explosions or ten-car crashes in the course of my life, so I don't put them into my movies. I would love to live in a society where 'My Dinner with Andre' made $100,000,000. Then I would be in the mainstream. I could do that stuff easier than I could do 'Meatballs.'
I was meticulously copying other art and then I realized I could just use a camera and put my time into an idea instead.
I use as high SPF as I can get, and I live under a hat like a mushroom all the time. Someone said they're worried about their kids getting older and doing drugs, and I got this look of horror on my face and thought, 'What if my girls don't wear hats?' But at 13 months old, they could say 'hat.'
I use as high SPF as I can get, and I live under a hat like a mushroom all the time. Someone said they're worried about their kids getting older and doing drugs, and I got this look of horror on my face and thought, 'What if my girls don't wear hats?' But at 13 months old, they could say 'hat.
Jenny McCarthy was the one I thought could turn me straight. I thought that if I could just get my shot with her, it could happen.
I'm living in L.A., which is hard to get around. I live way out in the suburbs, it's hard for me to get to town. You get five minutes here, then you gotta drive a half hour to the next one. New York was so much easier for standup because you could hit five clubs in a night. Just jump in a cab, pop. Boom, boom, boom. And you could walk to some of 'em, and work out stuff on the way. You can really get some more traction out there. You could work new material easier out there, I thought.
I could learn photography. That could be something to want. I could photograph children. I could have my own children. I would give them yellow roses. And if they got too loud, I would just put them some place quiet. Put them in the oven. And I would kiss them every day, and tell them you don't have to be anybody, because I would know that being somebody doesn't make you anybody anyway.
I realized that my camera work could help me in a lot of ways to put the audience in the driver's seat, so to speak, to get them in there with the action, and to get them as close and be as intimate with what was going on on-screen as possible.
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
If we got an educational program going, we could tell people, "Instead of butter, use avocado." That's something we eat, it has the good fat, and it has a good texture, and it tastes better. Just imagine if you substituted that. Or if we switched to olive oil, the extra virgin olive oil, we could still have our taquitos, but put a little oil on them and put them in the oven and bake them.
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