A Quote by Gia Coppola
As a first-time director, you act a lot like a teenager. I made decisions because I was hotheaded. My skin broke out. I was trying to understand who I am.
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I like working with a first time director. I'm more likely to work with a first time director than I am a second time director.
I go broke a lot... I go broke a lot because I have this understanding that whatever I put out there, if I really am doing what's right, it's going to be rewarding, you know?
When you're a teenager, everything is amplified because everything is a first. The first time you feel othered, the first time you feel rejected, the first time you fall in love... it's the first time, so it's so vivid, and everything feels like the whole world almost, because it is your whole world; your world is small when you're a teenager.
I developed a reputation as a "hothead" because I got in the face of a lot of reporters and they thought I was just a hotheaded person. What they didn't understand was that I was motivated by love.
There's a lot of rappers out there, a lot of gay girls expressing themselves; I'm not the first to say it; I'm not the first to rap about it. But I'm the one who broke down those doors that everybody has been trying to break down. I did that. I'm the one who went triple platinum first.
Now, as a reader, you shouldn't feel the decisions the writer makes about this DNA, or it would be boring beyond belief. But, as a writer, you're struggling to make these decisions. What should the title be? What's the first line? The point of view? And the struggle with the decisions is because you're trying to figure out WHAT IS THE NOVEL, WHAT IS THE NOVEL?
When we came to Iraq, we didn't understand the complexity - what it meant for a society to live under a brutal dictatorship with ethnic and sectarian divisions. When we first got here, we made a lot of mistakes. We were like a blind man, trying to do the right thing but breaking a lot of things.
I think one third of my work is with first-time directors because I think I should, you know? Really, the difference between a first-time director and a second- or third-time director - I mean there's no director who makes enough movies anyway - but if they're talented, they have it. And there is no movie that is perfect.
We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.
I call myself good crazy because I am a crazy normal. But who is normal really? Are you normal? Maybe you are, but I don't think a lot of us are normal. I think a lot of us are scared to say that we are a little crazy. I'm a little crazy that is just the way it is. I look in the mirror now and I like who is looking back at me. I am comfortable in my skin for the first time in my life. I have let a wall down.
I think you are going through so many 'firsts' as a teenager, and it's a charged time because of that. You don't have much autonomy in life. Everything is just kind of crazy, and there are so many huge decisions to be made, like where are you going to college or who you date. These things can really affect your whole life.
Kevin [Drew] beat me to the punch because when he first sent "Sister OK" and I'm listening to it, it took me to a place that I had not been to in a long time. It took me to a place when you're a teenager. I understand it all now, but in a moment of confusion, in a moment of trying to find some kind of solid ground in an environment that was quicksand in my life, it's that first line just kills me all the time: "Well it's just that your sister said you'd be OK."
Now that I'm almost forty, I look back at some of the decisions I made when I was younger - decisions that I thought of as courageous, or generous, or otherwise befitting a writer; befitting someone who had taken it as their life's goal to understand the human condition - and I wish I could go back in time and be like, "Hey, you don't actually have to do that - you're allowed to look out for yourself a little bit."
My father was a director, and my mother and grandparents were actors, so I spent a great deal of my time as a teenager trying to get away from the theatre.
I have a lot of money, but I still feel broke. When I say I feel broke, I don't mean broke in a financial sense, but I still feel like that kid from the gutter who's still trying to get it, even though I'm at the place I want to be.
I am proud to say I'm a director's composer. People do method acting, I do method composing. I like to get into the skin of the character and go deep into the director's vision.
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