A Quote by Gillian Armstrong
It's really actually been pretty shoddy and appalling, the amount of local content, Australian drama, on ABC TV.
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We need more drama on Australian TV. We've actually dropped the ball on that.
TV drama - not always, but on the whole - were pretty appalling and very secondary, too. No one expected it to be like watching a movie; that was the point. But I think when you start watching 'Vikings,' it is like watching a movie - you're taken somewhere else.
I think, often with Australian films, if an Australian film has been given the seal of approval by an offshore festival or an offshore release, then it does mean a lot to a local audience.
We are committed to getting our content to our audience in as many ways as possible. We are very excited about our partnerships.. and we relaunched our ABC app, which is going to be a great place and opportunity for our audience to find our shows in addition to throwback content and new ABC digital originals.
If you go to Australia, the Australian Open is on all day long on network TV. There's no way CBS, NBC and ABC would do that. They only show the finals. That's always been the case. They don't want to give the time to the biggest tournament we have in the United States. Any other country, it's everywhere -- front page of the main paper, front page of the sports section. We haven't had that here.
Sometimes I feel that in religious content, religious drama, it's almost told like a tale, like an account of facts, and in 'A.D. The Bible Continues,' it's drama, it's real drama that we like to see on TV today, seeing the characters struggle and doubt and be completely in conflict with each other, kind of like 'House of Cards.'
I cooked, which was pretty un-Australian. And I didn't really like Australian music... I preferred the New Romantics and punk and stuff like that.
It's not our fault our generation has short attention spans, Dad. We watch an appalling amount of TV.
Newspapers have an extraordinary amount of local content, including real estate listings and restaurant reviews.
I'd always felt the Australian cricketers' behaviour had been appalling. Tampering the ball too constitutes poor behaviour.
There have been a number of film, TV, and - actually - theater productions that have been based off of me. Pretty much none of them have ever actually spoken to me, and I die in most of them.
In the States, there's ESPN3, and each country has different options, and other than premiere league football, there tends to be very little global content. And movie and TV rights are pretty broad content.
For Sony, owning a studio is a gamble and probably a pretty good one, now that in the broadband era having content is a great advantage when you sell devices that in a ubiquitous world of distribution can actually show programs, movies, content directly to the consumer. So that you actually create, in a digital world, real synergy.
Reality TV is a lot about drama, but for the first time in a long time, you actually have role models on TV.
I suppose I could claim that I had suspected that the world was a cheap and shoddy sham, a bad cover for something deeper and weirder and infinitely more strange, and that, in some way, I already know the truth. But I think that's just how the world has always been. And even now I know the truth, the world still seems cheap and shoddy. Different world, different shoddy, but that's how it feels.
Joss Whedon writes beautiful drama. His sensitivity and his sense of drama and scenes are pretty exceptional. There's no one else writing like him, really, in sci-fi and TV. That's not to say there are no astonishing writers on TV. I was nervous about coming to America and playing an English person who speaks very English when all the writers are American, because it's a very particular thing to imitate, and if it's badly imitated, it sounds painfully contorted and silly. And he writes very well for English people. It was Joss Whedon who persuaded me.
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