A Quote by Gillian Jacobs
It's sometimes hard to accept that the people you love and feel the closest to may have different dreams and goals from yours, and those are valid. And I've felt that way: accepting people's differences and recognizing them as valid choices even if they're different from your own.
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The best thing you can do for yourself is to accept other people’s behavior and the choices they make. You may not agree with them, you may even wish them to do things differently, but accept it. Just as you would appreciate other people accepting the choices that you make.
You hear different things from different people, and they're all valid: they're all valuable. I think that's what comprises a performance is all those ideas.
But the proclamation, as law, either is valid, or is not valid. If it is not valid, it needs no retraction. If it is valid, it can not be retracted, any more than the dead can be brought to life.
The notion - and I tell you this one even worries me that it extends into New Urbanism - the notion of the shopping center [as] a valid kind of downtown. That's taken over. It's very hard for architects of this generation even to think in terms of a downtown or a center that is owned by all different people, with different ideas.
And perhaps the best answer is not to tolerate differences, not even to accept them. But to celebrate them. Maybe then those who are different would feel more loved, and less, well, tolerated.
Everybody feels up sometimes, they feel down sometimes, sometimes they feel sideways, sometimes they feel weird. And the beauty of music is you can express all those different feelings in all the different songs you write. And hopefully, people can identify with those.
Different people have different things that trigger them to realize their situation was not OK. In events like the #MeToo Movement, there are many cases where it took decades for someone to talk about their situation. That doesn't mean their stories aren't valid.
There are different types of experiences, and all of them are valid, and all of them deserve to be portrayed in a real way.
LSD was an incredible experience. Not that I’m recommending it for anybody else; but for me it kind of – it hammered home to me that reality was not a fixed thing. That the reality that we saw about us every day was one reality, and a valid one – but that there were others, different perspectives where different things have meaning that were just as valid. That had a profound effect on me.
The Internet seems like a safe house for the opposite mentality, for cynics and for jerks and for people who want to lash out. And it's a valid thing. It's a valid forum and I'm not going say that they aren't valid feelings. But it's sad. Considering the potential that something like the Internet, that connects so many people, has for good. I think it's sad that it's used so often for nothing but unfounded, overzealous negativity.
Most new movements start this way: hundreds or thousands of individuals and groups, working in different fields and different locations, start thinking about change using a common language, without necessarily recognizing those shared values. You just start following your own vector, propelled along by people in your immediate vicinity. And then one day, you look up and realize that all those individual trajectories have turned into a wave.
There are more similarities than differences when it comes to preparation of a performance. You're using some lyrics, you have a relationship with them, they apply to different parts of your life and different circumstances, different memories, different stories you have in your head. You form personal relationships with the song. I think that's very similar, in a way, to prepping a character. You pour your own personality, in a sense, into the character, you sympathize with a character in a way that's similar to the way you might sympathize with a song.
I really don't know what exactly all the songs mean. Sometimes other people have meanings and when I hear them I think, 'That's really a better meaning than I thought, and perfectly valid, given the words that exist.' So part of what makes a song really good is that people take in different meanings, and they apply them, and they might be more powerful than the ones I'm thinking.
I think what people need to realize is that, with trans people, we're like everybody else. No group of people are all the same. All women are not the same, all men are not the same, all children are not the same. It's the same thing with trans people - we're all so different, we have different goals, different dreams, and different aspirations.
The switch that I'd like to throw on is the one that says, "Look, you're a human being whose mind is every bit as active as anybody else's. Your experiences are just as real." For that matter, even if they're even if they're crazy, they're valid. They occurred in this world so they're valid topics for literature.
Sometimes all we need is only listening to an inner voice and remaining human in a very personal way. But even if it is a personal way, it's still a very valid way - maybe the most valid way. It doesn't have to be a collective experience or someone telling you what to do. The most sacred human experience can be a very personal one.
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