A Quote by Gina Prince-Bythewood
Improv is a very big thing for me. The thing with actors is I do not understand at all how they do what they do. I'm fascinated by it, and I have such a respect for it.
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But, you know, sometimes - many - they all understand. That's the nice thing. They were all very happy for me and they understand why I decided to come to CNN. So in that respect, I know that they think it's the best thing for me to do
But, you know, sometimes - many - they all understand. That's the nice thing. They were all very happy for me and they understand why I decided to come to CNN. So in that respect, I know that they think it's the best thing for me to do.
The thing that always fascinated me about improv is that it's basically a happy accident that you think you're initiating.
Death is the one - the one thing we don't have many answers for. We understand how people die, but we don't know what comes next, and that's something that's always fascinated and disturbed me and frustrated me.
The big thing I tell my kids is you have to control how you label things. It's very important to me they understand the power they have to create the lives that they want.
I have friends who will say, "Oh you gotta come and see our show." And the first thing I say is, "Is it sketch or improv?" I'll go in a minute to see a sketch show. I love sketch; it's my favorite form. But if it's all improv, they're either very good and it's annoying how good they are and it makes you feel bad, or they're not too good then you're sweating for them. And you don't want to sweat for them, see actors repeating each other's lines.
It's a weird thing to be nineteen and be in the public eye. It was a crazy thing, it was a big deal to me, and it changed me in a lot of ways. And now that it's five, six years later, I wanted to look back at that, the start of it all, the excitement and the naïveté about it, and it just fascinated me to reflect on all that.
We're interested by public personas and private personas, otherwise we wouldn't put on with actors rambling on with the same kind of stuff, over and over again, saying variations of the same thing. I'm always amazed by how fascinated people still are by actors because it's the same version of events that actors describe, all the time.
The one thing that I realize - well, not the one thing, but it was a big thing - having in my head that I need to get healthier. It's been a very gradual process for me.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
All I care is that my family, and my loved ones, understand me. Or that they understand me to a degree - I don't understand me very much. And I don't need the world to understand me. That is the most egocentric thing.
The biggest quality of good actors is that they know how to respect their co-actors, whether they are as big a name as them or not.
The biggest thing that comes out of improv that gets built on is just character traits. You know, for me the singing was born out of improv.
Most of the time I'm by myself finding the next thing. Being an A&R guy, basically. I don't know how long I can do this for. I'm constantly fascinated by actors who are so confident with their career that they do a project and then go on vacation.
One thing my old improv teacher taught me is when you're not in the improv scene and you're standing back watching your partners, you ask, 'What does the scene need?'
When I audition, I understand what it takes and the insecurities that come with it. If I do anything, I put actors at ease. I used to tell directors who weren't actors, the best thing they could do was take an acting class for a couple of months. Just to understand.
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