A Quote by Ginni Rometty

One thing I always think about in making a market, and it again is something I have learned from Sam [Palmisano] as well, he always says, "Be first and be lonely." — © Ginni Rometty
One thing I always think about in making a market, and it again is something I have learned from Sam [Palmisano] as well, he always says, "Be first and be lonely."
I was always searching, always seeking the next big thing, because that was the thing that was going to make everything all right again. And while I was working toward it, it gave me something to think about other than that thing I couldn't put my finger on. But it always came back.
I'm always like that about everything. When I try to do something, I always think, "What is the best way to do this?" Instead of taking what everyone else says and how it has been forever, it's faster for me to try myself. Of course I listen to what everybody says, and at first I'll try what people say, but I always come back to trying it my way.
I think I've always been slightly addicted to not repeating myself. When you're doing something the first time around, it's often the best time. I think 'Blank Project' is about carrying on. Its that thing where you're making something because you have to, but you don't know how or why.
For me, making films is about trying to work something out by myself in quite a lonely way. I find the whole thing very lonely really.
I think something that is never really spoken about is the learning process of making records - I made my first record at twenty one and learned so much about record making from that before making 'Bomb In A Birdcage' a couple of years later.
The first thing I think of when I think about coming to Las Vegas and playing is always Elvis; its always the first thing on my mind.
The thing I was beginning to figure out about Sam and Grace, the thing about Sam not being able to function without her, was that that sort of love only worked when you were sure both people would always be around for each other. If one half of the equation left, or died, or was slightly less perfect in their love, it became the most tragic, pathetic story invented, laughable in its absurdity. Without Grace, Sam was a joke without a punch line.
I think the market is always going to be around. The goal is not to say, let's get rid of the market, because the market does render a huge number of services, and I don't want to have a fight about the price of something every time I buy a book or a bottle of water.
As I learned, like, each year, more and more, I face it as far as there's always something. There's always talk about something. Off the field or if it's on the field, it's age, it's my salary. It's always something, so I learned to kind of use that nowadays, it's like motivation.
I think that, generally, when it's a white male shooting, then it's mental illness is the first thing that they utilize after reporting the crime. But in this instance, a Muslim, it's always terrorism. So it's always a direct attack towards Muslims, who are American citizens, and as well as other individuals who are here who believe in their faith. And we find that we are now in a position again of trying to protect ourselves, and, again, in some instances, causing people to become more sequestered in their day-to-day lives.
My father had always called me Sam since the day I was born. He rarely ever called me Tiger. I would ask him, 'Why don't you ever call me Tiger?' He says, 'Well, you look more like a Sam.
I am big on - even with our whole team - it's always about, well, what were the lessons learned? Something didn't work out? What are the lessons learned? What are the lessons learned?
The thing about the intuition is that there's always a calmness to it, if it says yes to us or even if it says no. It's always very calm and a feeling of wisdom comes with it.
I think socialism is really about recognizing that there are limits to what the market can do. The market is very useful; at times it works very well, but it doesn't always work.
I think with Lyndon Johnson, the most important thing I learned was that he never had the sense of security that comes from inside. It always depended on other people making him feel good about himself, which meant that he was always beholden, continually needing to succeed. He could never stop. There was such a restlessness in him.
When you're making a movie, you don't think about the outcome. That's something I'm grateful for: whenever I go and do a new project, I never think about the outcome. It's always just about the work at hand. That's the fun part. The other part is always something I've had a struggle with, which is promoting the film. I know it's important.
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