A Quote by Giovanna Cau

He[ Italo Calvino] always said it would be impossible to try to make films out of his books, though he hoped it would happen because that's where the money was. — © Giovanna Cau
He[ Italo Calvino] always said it would be impossible to try to make films out of his books, though he hoped it would happen because that's where the money was.
You are about to begin reading Italo Calvino's new novel, If on a winter's night a traveler. Relax. Concentrate. Dispel every other thought. Let the world around you fade. Best to close the door; the TV is always on in the next room. Tell the others right away, "No, I don't want to watch TV!" Raise your voice -- they won't hear you otherwise -- "I'm reading! I don't want to be disturbed!" Maybe they haven't heard you, with all that racket; speak louder, yell: "I'm beginning to read Italo Calvino's new novel!" Or if you prefer, don't say anything: just hope they'll leave you alone.
I believe books will never disappear. It is impossible for it to happen. Of all man's diverse tools, undoubtedly the most astounding are his books... If books were to disappear, history would disappear. So would man.
I worked very hard to try and figure out what I thought and I believed that we were going to succeed and that revolutions would happen globally and we would be a part of that and we would have then not capitalism. We would have values based on human lives, not profit. We would actually transform the kinds of ways people built love and built community. It was a very shocking thing to me, out of the end of the 70s and the beginning of the 80s, to realize that that dream - while I still believed in it - was not going to happen in the way that I had hoped.
As an artist, you are always striving toward an ultimate achievement but never seem to reach it. You shoot a film, and the result could have always been better. You try again, and fail once more. In some ways I find it enjoyable. You never lose sight of your goal. I don’t do my job to make money or to break box office records, I simply try things out. What would happen if I were to achieve perfection at some point? What would I do then?
We [ with Italo Calvino] had a great relationship. I don't think it's a coincidence that his only daughter's name is Giovanna. I loved his book dedications to me: "To Giovanna Cau, another book that won't be turned into a movie."
You are about to begin reading Italo Calvino's new novel, If on a winter's night a traveler.
The best novelist of my generation is an Italian living in Paris, still working and improving - Italo Calvino.
If they would have told me when I was just 18 that I was going to have a career that would last so long, I'd have said it was impossible, that it was crazy that that could happen in my life, so I'm happy to be here. To be able to go out on stage every day.
I think the universe was preparing me to be an actor. I never pursued one thing for long, but I was jack of all trades. I was learning everything possible because I knew my father would never shell out money for dresses or parties, but he would always give me money for new courses and books.
My father said, 'You must never try to make all the money that's in a deal. Let the other fellow make some money too, because if you have a reputation for always making all the money, you won't have many deals'.
I know that Arnold Toynby, the great historian, said he had always hoped the religions of the world would evolve until they began to bring the very best of each tradition into one tradition. He hoped that Christianity would be the one religion that finally incorporated the values of Hinduism and Buddhism, and enriched itself with them.
When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape. I always record everything, even a run through where you're trying to get in tune. That's a principle because sometimes when the situation isn't clear interesting things happen, and they are worth listening to again.
He was afraid that the secrets she'd kept would always be here, inside him, an ugly malignant thing lodged near enough to his heart to upset its rhythm, and though it could be removed, cut out, there would always be scars; bits and pieces of it would remain in his blood, making it wrong somehow, so that if he accidentally sliced his skin open, his blood would--for one heartbeat--flow as black as India ink before it remembered that it should be red.
At one point, I got to work as an assistant for Martin Scorsese: He wanted to know about all the films coming out, so I would make clippings and put it all in a big scrapbook for him. I was also in charge of his video library - it was like a little video store, and his friends and colleagues would come and borrow films.
There's always been this feedback between comics and films. But I think that if you take that analogy too far, if you only see comic books in terms of films, then eventually the best we can end up with is films that don't move. It would make us a poor relation to the movie industry.
But what would have been the good?" Aslan said nothing. "You mean," said Lucy rather faintly, "that it would have turned out all right – somehow? But how? Please, Aslan! Am I not to know?" "To know what would have happened, child?" said Aslan. "No. Nobody is ever told that." "Oh dear," said Lucy. "But anyone can find out what will happen," said Aslan. "If you go back to the others now, and wake them up; and tell them you have seen me again; and that you must all get up at once and follow me – what will happen? There is only one way of finding out.
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