A Quote by Giovanna Cau
I was born in Rome on March 11, 1923. Because of my age, I've become a piece of this country's history, but it's also true that a certain strand of Italy's film history has passed though me.
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I lived in Italy for quite a while and married an Italian woman. While there, I immersed myself in the complete culture: the music, art, literature, film, food, and history. It's easy to fall in love with. As a country, Italy does a good job of holding onto its rich traditions and culture. There's a real lack of embracing history in America.
Italy will never be a normal country. Because Italy is Italy. If we were a normal country, we wouldn't have Rome. We wouldn't have Florence. We wouldn't have the marvel that is Venice.
We must consider how very little history there is--I mean real, authentic history. That certain kings reigned and certain battles were fought, we can depend upon as true; but all the coloring, all the philosophy, of history is conjecture.
The settler makes history and is conscious of making it. And because he constantly refers to the history of his mother country, he clearly indicates that he himself is the extension of that mother country. Thus the history which he writes is not the history of the country which he plunders but the history of his own nation in regard to all that she skims off, all that she violates and starves.
In Italy, there are so many significant architectural structures in history such as the Pantheon in Rome, or the Duomo.
In Italy, the country where fascism was born, we have a particular relation with the Holocaust, but as a turning point in history it belongs to everybody in the world. It is a part of humanity.
The history of drawing is a history of 'realities'. Every age has its own conceptions, held to be true at that time, believed to be true for all times.
All other forms of history - economic history, social history, psychological history, above all sociology - seem to me history with the history left out.
If you want to understand what's going to happen, you can't look in the rearview mirror into the United States' history, because that's done now. You have to look out at the rest of the world and look at the history of the rest of the world, and what you'll see is demonstrations and counter-demonstrations are going to become the norm. We'll have a big march, then they'll have a big march, we'll have a big rally and they'll have a big rally. That will be one of the features. Again, a pro-regime and pro-opposition media system, that will become a feature.
March 11, 2004, now occupies a place in the history of infamy.
Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.
I think where you're born brings a history with it - a cultural history, a mythical history, an ancestral history, a religious context - and certainly influences your perception of the world and how you interpret everyday reality.
I was born in England and went to school there. That's when I discovered my undying passion for history - not just for the Middle Ages, but all periods of history. My favorites are medieval, Elizabethan, and Georgian; however, I've written stories set in periods as early as ancient Rome, right up to the Victorian era.
I don't like the idea of nationalism, but on the other hand, I do see that there is a difference between British art, German art and Chinese art. This is because of the history, because each country has different history and each country reads and teaches that history differently.
If my history, my indisputable British history, has never been visited, where does that put me? If we are only going to look at things that need a revisit, you are wiping me out of this country's history. That is unacceptable to me.
For me, 'Parmanu' was an awakening of sorts. The film is about a covert mission. It's sometimes unbelievable that we get to recreate a part of history and live an incident that made history and changed the way our country was perceived.
