A Quote by Gisela Richter

Every author knows what a stimulus it is to have an understanding publisher. — © Gisela Richter
Every author knows what a stimulus it is to have an understanding publisher.
A successful self-publisher must fill three roles: Author, Publisher, and Entrepreneur—or APE.
It's very hard to get one publisher to accept an author going over to the other author's company to collaborate.
Gone are the days when a publisher could take out an ad, count on a few reviews, and have an author do a couple of signings. Nowadays, readers want to feel a connection with an author.
You want to publish with a publisher because a publisher knows how to publish a book. And you don't. You really don't.
The claim made by Team Obama that every dollar in stimulus translates into a dollar-and-a-half in growth is economic fiction. The costs of stimulus reduce future growth. No country has ever spent itself to prosperity. The price of stimulus has to be paid sometime.
When you're external to a publisher, most independent developers live on paranoia. The mainstay of every day is paranoia - every indie company believes their publisher in some way has these Machiavellian plans that will cause disaster for the game and the studio.
No author is a man of genius to his publisher.
Reading a book should be a conversation between you and the author. Presumably he knows more about the subject than you do; if not, you probably should not be bothering with his book. But understanding is a two-way operation; the learner has to question himself and question the teacher, once he understands what the teacher is saying. Marking a book is literally an expression of your differences or your agreements with the author. It is the highest respect you can pay him.
As a publisher and author, I'm a big fan of historical fiction and also memoir.
Frequently, an author gets "orphaned" at a publisher. What this means is that an editor buys their book, then ends up getting fired, promoted, or transferred to a different job somewhere else. It sucks for the author because suddenly the person who liked your book enough to buy it isn't around to help you edit and promote it.
No one really knows the value of book tours. Whether or not they're good ideas, or if they improve book sales. I happen to think the author is the last person you'd want to talk to about a book. They hate it by that point; they've already moved on to a new lover. Besides, the author never knows what the book is about anyway.
Your mind, in order to defend itself starts to give life to inanimate objects. When that happens it solves the problem of stimulus and response because literally if you're by yourself you lose the element of stimulus and response. Somebody asks a question, you give a response. So, when you lose the stimulus and response, what I connected to is that you actually create all the stimulus and response.
The normal reaction of a publisher when faced with an author with a bee in his bonnet is to grab the check and run.
Times have changed since a certain author was executed for murdering his publisher. They say that when the author was on the scaffold he said good-bye to the minister and to the reporters, and then he saw some publishers sitting in the front row below, and to them he did not say good-bye. He said instead, "I'll see you again."
God hath given to mankind a common library, His creatures; to every man a proper book, himself being an abridgment of all others. If thou read with understanding, it will make thee a great master of philosophy, and a true servant of the divine Author: if thou but barely read, it will make thee thine own wise man and the Author's fool.
Every novel is an attempt to capture time, to weave something solid out of air. The author knows it is an impossible task - that is why he keeps on trying.
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