A Quote by Gisele Bundchen
There's a button that goes On and I'm On. And when I go On, there is almost no me; there is just a character who is doing all this.
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Don't be a rock star. I've seen people around me have their lives destroyed by drugs. It just depends on what kind of person you are. Like, some people have a "go" button and a "stop" button, and some people just have the "go" button, meaning that they take drugs and just take more, and more, and more. It could be 6 in the morning and they'll say, "Okay, I have to get more now." I'm not that kind of person.
It makes it easier, if you can't do an American accent. I don't know. It's different. I played a character in Never Let Me Go where the script for my character was very sparse, and I enjoyed it. With Never Let Me Go, I had a whole book written from my character's point of view, so I always knew where I was. But, with Ryan [Gosling], it was just easy. He's such a brilliant actor and he is so prepared. He doesn't have to warm himself up to be in a scene. He's just in it. It draws you in, in a way.
With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another room, or we go from one place to another or whatever, the music is just going with it the whole time the same way that the audience is sort of tracking it and following along.
What drew me to Batman in the first place was Bruce Wayne's story, and that he's a real character whose story begins in childhood. He's not a fully formed character like James Bond, so what we're doing is following the journey of this guy from a child who goes through this horrible experience of becoming this extraordinary character. That, for me, became a three-part story. And obviously the third part becomes the ending of the guy's story.
What goes down usually goes back up, if you're willing to be patient and don't hit the panic button.
I just don't ever want to play the girlfriend. You know, the supporting character in the background who just sort of comes in and goes, "Oh, shucks." It's just a boring character.
Certain roles, I just won't invest in. I'll go in and audition, but I might not spend five hours trying to figure out what the character is really about or go so deep into it. I might just learn the lines and go in and try my best because I know it's not safe for me to love the character or to fall in love with the idea of the role.
I think one of the things I always loved about the comics was this idea that this character, when he goes berserk, that white, blind rage makes him incredibly powerful, but it's also a great flaw. It's almost like he loses consciousness of what he's doing. During that he can do great damage.
I've had to learn how to say no to things, and have people around me that don't push me too hard, because I'll go until I just crash. I don't have a stop button.
Every time I get a chance to be out in the ocean, it's like hitting a reset button for me where I just feel alive again, in perfect balance. Music can give me that, as well, but not as easily. The ocean is the way I know how to find it almost daily.
One of the rules that I always follow is that no matter how crazy characters may act, and no matter how absurd or strange their actions may be, that it's justified in the character's mind why they are doing it. Not to get all heady about it, but it's fun for me to test how far I can go with things while still keeping it grounded enough that you believe that the character really believes that what he's doing will get him what he wants. It's a personal challenge to me to see how far I can go with that.
For me, fighting is just so fun; I love it. It's just what I enjoy doing, and for me to go out there and go wake boarding and go rock climbing and then turn around and go fight, how awesome is that?
We just, you know, we're just sort of doing it like Bewitched, because we just think that the character of Kenny is so specific and so outrageous and so fun. And by far the hardest character to cast out of everybody to find someone who was capable of, you know, doing, you know, the comedy and just with the broadness and to be also just a really brilliant actor, you know, to do naturalism.
Uriah Hall, you ever play that game Tekken where you just button bash? I always think that's what he looks like. He's just button bashing and hoping something cool will come out of it.
When I was starting out, I thought I would go into comedy and there would be a mentor, like the Philip Seymour Hoffman character in 'Almost Famous,' in my life, and there just wasn't. It was really frustrating for me because I desired that so much.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
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